Frédéric Hamelin

Simon Chambers is shooting a film in India when his uncle David calls him with a message of doom: “I think I may be dying.” What the viewer doesn’t yet know is that David is a total drama queen, a former actor and teacher, and a Shakespeare-lover who has grown old on a diet of attention and applause. Chambers returns to London to look after his uncle and capture his final stages of life on camera.

200년 전, 저주에 걸려 봉인된 마녀신 아슈라. 아슈라의 영혼이 깨어나면, 마녀들은 강력한 힘을 얻을 수 있다. 아슈라를 깨우는 의식을 치르던 중 마녀 한 명이 죽자 남은 마녀들은 빈자리를 채우기 위해 새로운 인물을 찾아 나서는데...

A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.

“Four unaligned rows, 37 faces turned towards the camera lens. Autumn 1958, a family of Breton peasants in their Sunday best, gathered around the eldest. Smartly dressed for the photo. A modest living honestly earned by laborious work”. This is what the narrator proclaims at the beginning of the film, leading us to see things through his eyes. The photo, taken on the occasion of the golden wedding anniversary of the director’s grandparents, is the catalyst of Ordinary Landscape and the symbol of a way of life that is now gone.

A young terrorist is trapped by Gavras, a hunter of the Special Intervention Unit who is tracking him. Then starts a long walk through the forest, each one trying to dominate the other.

The countess and her son, irresponsible but sweet viscount Louis, own the castle Montverdier, which is falling apart. Fernand Castanier is the baker in the neighboring town Mussy-sur-Ploute.

Perry Mason ventures to Paris to defend a U.S. Marine Corps Captain accused of murdering a man suspected of being a Nazi SS Officer.