Snabi
The movie describes proletarian life in the Czech Lands after World War I.
People are afraid of the usurer Chazaj and are convinced that he is the bearer of evil. One day Chazaj pays a visit to the poor artist Simon Jordán and asks him to paint his portrait. Simon agrees but as he progresses with the work his mind conjures up terrible thoughts and in the end he commits suicide. The portrait looks lifelike and Chazaj is content with the results. After Chazaj's death the picture changes hands and brings misfortune to all who own it. The last victim is the young painter Roman who buys Chazaj's portrait in a bazaar. He finds a treasure in the frame and begins to live well off it. The comfortable life suits him so well that he rejects his original artistic aims and becomes a painter of fashionable kitsch.
Inspector Cadek from the 13th police station should keep an eye on the released safe-cracker nicknamed The Cat. He rightly suspects that Cat will go and pick up his last loot which the police didn't manage to find and that he will want revenge on Karta who helped get him behind bars. At the hospital, Cat's ex-lover Fróny hopelessly falls for doctor Chrudimský and decides to start a new life. She still refuses to help the inspector in his search for The Cat and Karta.
Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.
