Igor Kozhevnikov

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

근위대 총사를 꿈꾸던 달타냥은 아버지의 소개장을 갖고 파리로 향하지만 도중에 시비가 붙어 로슈포르 백작에게 소개장을 빼앗기고 만다. 게다가 파리에 도착하자마자 전설의 삼총사 아토스, 프로토스, 아라미스에게 차례로 결투신청까지 받게 된다. 더럽게 꼬이는 일진! 그러나 사나이들의 진검 승부 이후 달타냥은 삼총사의 절친한 친구가 되고 곧 프랑스를 위협하는 악당의 음모에 맞서게 된다. 과연 달타냥은 프랑스를 지키고 총사가 될 수 있을까?

Ira is Russian. Ivan Tashkov, too. She is 23 years old, lives in Geneva with her mother and knows very little about her homeland. Tashkov is a supposed gangster of the Russian mafia, and is in jail waiting to be judged. Ira, who is searching for her roots and her own path in life, happens to be the interpreter of Tashkov's defense lawyer, and gets instantly captivated by of this powerful, cultured and manipulative man.

A young and handsome prison guard falls in love with a beautiful lady-prisoner. She makes him hooked on sex and manipulates him into becoming a gang member. He kills and steals under her control.