Nikos Kanakis

A writer, locked in his house, writes about a young man who wanders in Athens and tries its fruits.

On the island of Fourni in Ikaria, a researcher observes the lives of the inhabitants. Without a predetermined script, without ready-made questions, as a simple observer. Through this research, the society of Fourni comes to life before our eyes through its people, through memories, through anxieties, through daily toil. On the island, the men are sailors and the women have taken on all the jobs that one would more conventionally expect men to perform, from construction work to farm work. The camera of Alinda Dimitriou and Nikos Kanakis thus vividly records the relations between the two sexes and how the division of labor is a key cog in the functioning of the social machine.

On the island of Fourni in Ikaria, a researcher observes the lives of the inhabitants. Without a predetermined script, without ready-made questions, as a simple observer. Through this research, the society of Fourni comes to life before our eyes through its people, through memories, through anxieties, through daily toil. On the island, the men are sailors and the women have taken on all the jobs that one would more conventionally expect men to perform, from construction work to farm work. The camera of Alinda Dimitriou and Nikos Kanakis thus vividly records the relations between the two sexes and how the division of labor is a key cog in the functioning of the social machine.

A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.

At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.