Pacho Lane
출생 : 1938-03-03, Chicago, Illinois
Director of Photography
Opening at a Soviet army base in Kabul, the film visits an attack helicopter squadron, a firebase outside Kabul, and a guard post near Kandahar. Then the film moves to the monument to the dead of WWII beside the Kremlin wall, to a Moscow cemetery filled with dead from the Afghan war, and to the heartbreak of a mother of one of the dead soldiers
Editor
Opening at a Soviet army base in Kabul, the film visits an attack helicopter squadron, a firebase outside Kabul, and a guard post near Kandahar. Then the film moves to the monument to the dead of WWII beside the Kremlin wall, to a Moscow cemetery filled with dead from the Afghan war, and to the heartbreak of a mother of one of the dead soldiers
Director
Opening at a Soviet army base in Kabul, the film visits an attack helicopter squadron, a firebase outside Kabul, and a guard post near Kandahar. Then the film moves to the monument to the dead of WWII beside the Kremlin wall, to a Moscow cemetery filled with dead from the Afghan war, and to the heartbreak of a mother of one of the dead soldiers
Director of Photography
This is one of three short films in the Living Texas Blues series. Battle of the Guitars shows the ranging influence of Aaron "T-Bone" Walker throught the performance of Pete Mayes and Joe Hughes at the Doll House Club in Houston.
Editor
This is one of three short films in the Living Texas Blues series. Battle of the Guitars shows the ranging influence of Aaron "T-Bone" Walker throught the performance of Pete Mayes and Joe Hughes at the Doll House Club in Houston.
Editor
Deep Ellum is a place -- a part of Dallas, Texas. Deep Ellum, along with its legendary music scene built by the likes of Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely, all but disappeared with the construction of Central Expressway in the 1950s. This film is one of three short films in the Living Texas Blues series which explores the 1920's and 1930's night life in Dallas through the music of Bill Neely.
Director of Photography
Deep Ellum is a place -- a part of Dallas, Texas. Deep Ellum, along with its legendary music scene built by the likes of Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely, all but disappeared with the construction of Central Expressway in the 1950s. This film is one of three short films in the Living Texas Blues series which explores the 1920's and 1930's night life in Dallas through the music of Bill Neely.
Editor
Texas Style centers on three generations of Westmoreland family fiddlers, bringing you to the Homecoming, Rodeo, Reunion and Fiddling Contest in Gustine, Texas, where there are armadillo races, tobacco-spitting and frog hopping contests, cow chip throwing and young and old comparing their hog calling skills. Inside a canvas tent, some of Texas' most remarkable fiddlers compete to the foot-stomping delight of their audience.
Director
Texas Style centers on three generations of Westmoreland family fiddlers, bringing you to the Homecoming, Rodeo, Reunion and Fiddling Contest in Gustine, Texas, where there are armadillo races, tobacco-spitting and frog hopping contests, cow chip throwing and young and old comparing their hog calling skills. Inside a canvas tent, some of Texas' most remarkable fiddlers compete to the foot-stomping delight of their audience.
Assistant Camera
아마존 정글 속에 오페라 하우스를 지어 최고의 오페라 공연을 무대에 올리려 하는 열렬한 오페라광 피츠카랄도의 이야기를 그린 베르너 헤어초크의 1982년작 의 제작 과정을 담은 다큐멘터리. 헤어초크는 실제로 아마존 정글에서 무모한 로케이션 촬영을 감행했고, 주연을 맡은 클라우스 킨스키, 클라우디아 카르디날레를 비롯한 제작진은 점점 지쳐 갔다. 레스 블랭크가 헤어초크의 광기 어린 창작열에 두려움 없이 다가갔으며, 블랭크의 최고작으로 평가받고 있다.
Self - Interviewer
아마존 정글 속에 오페라 하우스를 지어 최고의 오페라 공연을 무대에 올리려 하는 열렬한 오페라광 피츠카랄도의 이야기를 그린 베르너 헤어초크의 1982년작 의 제작 과정을 담은 다큐멘터리. 헤어초크는 실제로 아마존 정글에서 무모한 로케이션 촬영을 감행했고, 주연을 맡은 클라우스 킨스키, 클라우디아 카르디날레를 비롯한 제작진은 점점 지쳐 갔다. 레스 블랭크가 헤어초크의 광기 어린 창작열에 두려움 없이 다가갔으며, 블랭크의 최고작으로 평가받고 있다.
Director
Set in Huehuetla, Puebla, a Totonac Indian community in East Central Mexico, this documentary contrasts two systems of education. The public school system uses patriotic symbols to "integrate" Indian pupils into the national culture while teaching them to reject their own identity.
Director
A visit with a master of the Oldest Art In The World: tattooing. Disabled by arthritis since the age of four, confined to a wheelchair, his growth stunted, Stoney St. Clair joined the circus at 15 as a sword swallower. A year later he took up tattooing, and traveled with circuses and carnivals for fifty years practicing his craft. As we watch him at work, we see the determination which led Stoney to use his crippled hands in an art where mistakes are permanent, and we realize Stoney has overcome his handicap to heal himself and others with the magic of symbols. The film ends with a visit by New Age tattoo master Don Ed Hardy, who receives a permanent souvenir by Old School tattoo master Stoney.