Bill T. Jones

Bill T. Jones

출생 : 1952-02-15, Bunnell, Florida, USA

약력

​From Wikipedia, the free encyclopedia.   Bill T. Jones (born February 15, 1952) is an American artistic director, choreographer and dancer. Description above from the Wikipedia article Bill T. Jones  licensed under CC-BY-SA, full list of contributors on Wikipedia.

프로필 사진

Bill T. Jones

참여 작품

에일리
Self
미국 현대무용의 선구자 중 한 명인 흑인 안무가 앨빈 에일리. 영화는 힙합 안무가 레니 해리스가 앨빈 에일리에 대한 새로운 무용극을 준비하는 과정과 알빈 에일리의 작품세계를 촘촘히 엮으며 그가 오늘날 미국 무용계와 사회 전반에 남긴 유산을 기록한다. 1931년 짐크로우법 시대에 텍사스 시골에서 태어난 앨빈 에일리는 아프리카계 미국인들의 정체성과 역사에서 영감을 받은 새로운 움직임을 미국 현대 무용에 도입하고, 58년 앨빈 에일리 어메리칸 댄스 시어터를 창립한다. 개척자였던 그는 늘 외로웠지만, 그가 뿌린 씨앗은 오늘날 미국 현대무용의 풍요로운 기반이 되었다. (2021년 제17회 제천국제음악영화제 / 김소혜)
Museum Town
Self
A rural American town suffering economically from factory closures finds an unconventional route to recovery with the help of MASS MoCA.
National Theatre Live: Fela!
Writer
A provocative and wholly unique hybrid of dance, theatre and music, FELA! explores the world of Afrobeat legend Fela Anikulapo-Kuti. Winner of three 2010 Tony Awards including Best Choreography (Bill T. Jones). Featuring many of Fela Kuti’s most captivating songs and Bill T. Jones’ visionary staging, FELA! – an original new creation – comes via Broadway to London and the National Theatre. FELA! explores the extravagant, decadent and rebellious world of Fela Anikulapo-Kuti. Using his pioneering music (a blend of jazz, funk and African rhythm and harmonies), FELA! reveals Kuti’s controversial life as an artist and political activist.
National Theatre Live: Fela!
Director
A provocative and wholly unique hybrid of dance, theatre and music, FELA! explores the world of Afrobeat legend Fela Anikulapo-Kuti. Winner of three 2010 Tony Awards including Best Choreography (Bill T. Jones). Featuring many of Fela Kuti’s most captivating songs and Bill T. Jones’ visionary staging, FELA! – an original new creation – comes via Broadway to London and the National Theatre. FELA! explores the extravagant, decadent and rebellious world of Fela Anikulapo-Kuti. Using his pioneering music (a blend of jazz, funk and African rhythm and harmonies), FELA! reveals Kuti’s controversial life as an artist and political activist.
The Universe of Keith Haring
Self
A portrait of New York artist Keith Haring. The film looks to Haring as an artistic role model for his preternatural talent, of course, but also for his infectious lust for life that had him as committed to social activism and teaching children as to his latest painting.
The Black List: Volume One
Himself
As a new chapter begins in this country, THE BLACK LIST offers a dynamic and never-before-heard perspective from achievers of color. This series of inspired - and inspiring - observations on African-American life in the 21st century forms a roll call of some of the most compelling politicians, writers, thinkers and performers ever to tackle their fields of endeavor. Watch the interview-portraits and get a sharper snapshot of where this country has been and where it's headed.
Bill T. Jones: Still/Here
Himself
Bill Moyers and filmmaker David Grubin give viewers a rare glimpse into dancer/choreographer Bill T. Jones’s highly acclaimed dance Still/Here. At workshops around the country, people facing life-threatening illnesses are asked to remember the highs and lows of their lives, and even imagine their own deaths. They then transform their feelings into expressive movement, which Jones incorporates into the dance performed later in the program. For this documentary, Jones demonstrates the movements of his own life story: his first encounter with white people, confusion over his sexuality, his partner Arnie Zane’s untimely death from AIDS, and Jones’s own HIV-positive status.
We Shall Not Be Moved
Choreographer
On the run after a series of tragic incidents, five North Philly teens find refuge in an abandoned, condemned house in West Philadelphia at the exact location that served as headquarters of the MOVE organization, where a 1985 standoff with police infamously ended with a neighborhood destroyed and 11 people dead, including five children. This self-defined family is assuaged and even inspired by the ghosts who inhabit this home and begin to see their squatting as a matter of destiny and resistance rather than urgent fear. Combining spoken word, contemporary movement, video projection, classical, R&B and jazz singing, and a brooding, often joyful score filled with place, purpose, and possibility, We Shall Not Be Moved is a timely exploration of past and present struggles which suggests an alternate future through the eyes of its young protagonists.