Francesco Barilli

작가인 알도 브라이반티는 청년과 관계했다는 이유로 투옥된다. 한편으로 개미 연구가인 그에게, 개미는 함께해야 길을 잃지 않고, 모든 것을 나누며, 서로를 배신하지 않는 존재다.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

Italy, 1947. Attilio is a Fascist and disgraced former movie star. Out of desperation, he joins a band of robbers for a heist. After the robbery, Attilio and the robbers take refuge in a house that proves to be deadly.

Italy, 1947. Attilio is a Fascist and disgraced former movie star. Out of desperation, he joins a band of robbers for a heist. After the robbery, Attilio and the robbers take refuge in a house that proves to be deadly.

Italy, 1947. Attilio is a Fascist and disgraced former movie star. Out of desperation, he joins a band of robbers for a heist. After the robbery, Attilio and the robbers take refuge in a house that proves to be deadly.

A three-billion-lire hit. A bloody hold-up. A sole survivor. Hunted down by fate and ruthless gangsters, Leo Piazza finds himself with a "hot" suitcase on his hands. Forced to go into hiding, time is running out. The killers want him dead so they can retrieve the loot and the showdown draws near... A nocturnal and silent anti-hero, Piazza moves like a zombie, like the living dead.

Alex and Max are two "bachelors" who share the same house: Alex, advertising copywriter, is boxing, is an impenitent dongiovanni and does not hesitate to betray his colleague and girlfriend Paola; Max, saxophonist, neglects his ulcer and is attracted, yes, but also scared, by women. The meeting with the chorister Anna at a recording session gives birth to a relationship that she would like to realize in a cohabitation that frightens the other. Meanwhile, Alex, between an adventure and the other, waits for the call of the only woman for whom he spits, Eleonora, who is undecided whether to leave for him the man to whom he is bound, exasperates him in a frustrating way. The father of Alex then, Dante, who has a relationship with a young woman, called Chicca, asks in vain to his son to act as a peacemaker with her, who has left him. Anna.

Four lighthearted stories set in the idyllic Italian countryside: an old grouch finds himself followed by a stray dog; a lonely widow spies on her newly-wed son and daughter-in-law; a German tourist tries to seduce a younger nurse; a man wanders in the summer. The fourth segment was cut by Miramax for the US distribution.

Four lighthearted stories set in the idyllic Italian countryside: an old grouch finds himself followed by a stray dog; a lonely widow spies on her newly-wed son and daughter-in-law; a German tourist tries to seduce a younger nurse; a man wanders in the summer. The fourth segment was cut by Miramax for the US distribution.

광고 회사에서 일하는 마이클은 패션디자이너인 헬렌을 배웅하다가, 16년전에 풋사랑을 나누었던 마리와 재회하여 다시 열정을 불태운다. 그러나, 재회는 일생을 그와의 사랑에 광적인 집착을 던진 마리의 계획적 진행이었음이 드러난다. 마이클의 떠남을 두려워한 마리는 마이클을 감금하고 그녀의 딸 제니 앞에서 광폭한 애정의 발산을 보인다. 그러는 사이 아들 버나드와 파리로 돌아와 마이클을 찾고 있던 헬렌은, 바로 옆의 아파트에서 고통을 당하다 제니의 도움으로 탈출한 마이클을 애정의 힘으로 회복시키려 한다.

A young girl and her mother run a hotel during the war. When the mother dies, the girl finds herself at the mercy of her sex-crazed guests. Soon enough, a cloaked figure starts killing off everyone that tries to harm her.

A young girl and her mother run a hotel during the war. When the mother dies, the girl finds herself at the mercy of her sex-crazed guests. Soon enough, a cloaked figure starts killing off everyone that tries to harm her.

Sylvia, an industrial scientist, is troubled by strange hallucinations related to the tragic suicide of her mother.

Sylvia, an industrial scientist, is troubled by strange hallucinations related to the tragic suicide of her mother.

Sylvia, an industrial scientist, is troubled by strange hallucinations related to the tragic suicide of her mother.

A photographer in the rain forest is captured by wild natives, and after months of living with them, he marries the chief's daughter and helps protect the village from a vicious cannibal tribe.

Giallo thriller about a child killer roaming the streets of Venice. The family of the latest victim begin their own investigation. Soon finding they are in way over their heads, the killer now begins to target those who have discovered too much.

Giallo thriller about a child killer roaming the streets of Venice. The family of the latest victim begin their own investigation. Soon finding they are in way over their heads, the killer now begins to target those who have discovered too much.

무산 계급에 속한 한 부자가 경작지, 고속도로, 건설 중인 건물의 풍경으로 황량한 도시 주변부 길을 걸으며 성 프란치스코와 마르크스, 채플린에 이르기까지 갖가지 담론을 들려준다.

A science fiction short inspired by George Orwell's 1984.

스탕달의 '파르마의 수도원'을 현대로 옮긴 작품으로, 파브리지오(프란체스코 바릴리 분)의 10살 연상의 이모 지나(아드리아나 아스티)를 향한 이루어질 수 없는 사랑에 대한 이야기이다. 이제 막 성인이 된 파브리지오는 지극히 평범하여 따분한 삶을 산다. 어느 날 친구 아고스티오(알렌 미제트 분)가 갑자기 익사하자 삶과 미래에 대한 회의에 빠져들고 지나에 대한 사랑이 싹트기 시작한다.

Documentary about the making of Man From Deep River.