Naoyuki Kobayashi

참여 작품

Hitokowa 3: The Killing Hour
Sound Effects
This 3rd installment of Kazuto Kodama’s horror series delves into the dark side of love, exposing the bizarre cruelties of excessive affection from a psychopath.
Hitokowa 3: The Killing Hour
Original Music Composer
This 3rd installment of Kazuto Kodama’s horror series delves into the dark side of love, exposing the bizarre cruelties of excessive affection from a psychopath.
Hitokowa 2: Deadly Hauntings
Sound Effects
In this suspenseful omnibus, three stories mingle humor with horror for a hauntingly realistic take on modern day fears.
Hitokowa 2: Deadly Hauntings
Original Music Composer
In this suspenseful omnibus, three stories mingle humor with horror for a hauntingly realistic take on modern day fears.
Hitokowa
Sound Effects
An anthology of odd and eerie stories. Each one a contemporary precautionary tale.
Hitokowa
Original Music Composer
An anthology of odd and eerie stories. Each one a contemporary precautionary tale.
田舎町的朝
Script
Goodbye, two-country towns. Shuhei and Midori, two poor siblings without parents, manage to live together in a small apartment but have long been urged by their aunt in Tokyo to move in with them. The younger sister is reluctant, the older brother gives up. A small incident occurs between them that makes them aware of the opposite sex, and their respective summers pass. And the day they leave for Tokyo is the day of a summer festival in the country town where the siblings were born and raised. The film's direction has the ability to plant the emotions and background of each of them firmly on the screen with everyday movements and straightforward dialogue. The level of acting by the actors is high. It was a summer when we felt cool with barley tea and watermelon instead of air-conditioning. The same nostalgia and vitality are present throughout the film.
田舎町的朝
Director
Goodbye, two-country towns. Shuhei and Midori, two poor siblings without parents, manage to live together in a small apartment but have long been urged by their aunt in Tokyo to move in with them. The younger sister is reluctant, the older brother gives up. A small incident occurs between them that makes them aware of the opposite sex, and their respective summers pass. And the day they leave for Tokyo is the day of a summer festival in the country town where the siblings were born and raised. The film's direction has the ability to plant the emotions and background of each of them firmly on the screen with everyday movements and straightforward dialogue. The level of acting by the actors is high. It was a summer when we felt cool with barley tea and watermelon instead of air-conditioning. The same nostalgia and vitality are present throughout the film.