Rinaldo Rocco

Where I've never been to live, Francesca's emotional conflicts, 50, is the only daughter of a famous Turin architect, to whom she visits only on rare occasions. For many years, Francesca lives in Paris with her teenage daughter and her husband Benoît, a financier on her sixty, apparently reserved but paternal and protective about her. Due to a domestic accident that forces the elderly father to bed, the woman flees to Turin to take her parents in the design of a villa on a lake for a young couple. At work he meets architect Massimo, his peer-minded career and engaged in an open relationship with independent Sandra. After a tough first approach, Massimo and Francesca create a strong professional tune that leads to a deep and passionate feeling. For the first time in life, both will have to really confront themselves and their most authentic destinies ...

The story takes place in March 1999, Kosovo. It is the period of NATO bombing. Massive displacement of Albanians on ethnic basis. Terror, fear, insecurity and hunger have plagued the town of Gjakova.

Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.

Political strategists in a northern Italian city push gay-rights campaigner Piero into the mayoral race, pairing him with uptight conservative toughie Adele (Claudia Gerini). Piero and his partner, Remo, are the stable ones, while buttoned-up divorcee Adele nurses her bitterness.

Forty year-old Bruno Ledeux, seen sitting across from the doctor, gives the impression of a man who is no longer young but not yet old.Condemned to remain nothing more than a son, he begins his downward slide, as if a fog had shut him in a cage from which there is no escape. Bruno can never have children .He says nothing about this diagnosis to Anne, his beloved wife. Nor does he tell her about a large debt he has taken out. It is as if Bruno were a man without any qualities or talents. A mediocre man who has lost all pride. Though now everything appears hazy in his memory. Like a river that flows peacefully, showing no signs of the hidden currents at work below. But at times those currents can return to the surface. Without warning.

A biopic about the life of Umberto Boccioni, an italian futurist painter (1882-1916).

Dear Enemy tells the true story of the director’s grandfather who became friends with a German officer during the WWII German occupation of Albania while hiding a partisan, an Italian soldier and a Jewish watchmaker in his cellar.

After the Club Med and skiing, what happened to the Bronzés 27 years later? Early response: the same, and worse.

Wealthy but arrogant writer Jean Hervey comes home one day to find that his wife, Gabrielle, has left him for another man. Realizing her mistake, Gabrielle returns, and the pair begin a merciless analysis of their marriage as the relationship comes undone.

Story of Enzo Ferrari's rise from a successful race driver to one of the most famous entrepreneurs of all time. Being interviewed by a fictitious, intrusive young journalist he recalls his setbacks and personal losses.

Madam Nadine manages with pride the "Vénus Beauté" Salon which offers relaxation, massage and make-up services. The owner and her three beauticians: Samantha, Marianne and Angèle are pros. Contrary to her friend Marianne, who still dreams of the big day, Angèle no longer believes in love. Marie, the youngest of the three employees, discovers love in the hands of a sixty year-old former pilot, who risks everything...

Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter Orazio Gentileschi. Her professional curiosity about the male anatomy, forbidden for her eyes, led her to the knowledge of sexual pleasure. But she was also well known because in 1612 she had to appear in a courtroom because her teacher, Agostino Tassi, was suspected of raping her. She tried to protect him, but was put in the thumb screws...

야곱(Jacob: 마틴 랜도 분)은 여러 아이들을 두었지만 요셉(Joseph: 폴 머큐리오 분)이 하느님의 특별한 은총을 받고 있음을 알고 그를 유난히 귀여워 한다. 이에 요셉은 다른 형제들의 질투로 노예로 팔려가는 가고 만다. 그 형제들은 요셉이 죽은 것으로 위장을 한다. 요셉은 이집트 왕의 일등 시종관 집에서 노예생활을 하게 된다. 그런데 그는 특별한 예지능력이 있어 곧 시종관의 옆에서 일을 돕게 되고 그 능력으로 인해 급기야는 이집트 파라오(Pharaoh: 스테파노 디오니시 분)의 눈에 들게 된다. 요셉을 두텁게 신임한 파라오는 그를 이집트 총독으로 임명하여 부귀와 영화를 내려준다. 세월이 흘러 고향에 있던 요셉의 가족들은 가뭄으로 인해 고향을 떠나 이집트 땅에 들어오게 되는데...

A heavily indebted film producer tries to get back on his feet by producing a film starring Kim Novak. He also hopes to start a new relationship with his estranged son.