Thirty-something Vítor still lives with his mother, Fátima, in his grandmother Júlia’s apartment. Fátima is a hairdresser with a quiet disposition who, at night, fantasises about the policeman who has just moved in next door. By day, Vítor is a lowly employee on a TV show. But at night, he dons his neighbour’s uniform to win the favour and satisfy the desires of a boy he’s met online. In her retirement home, Júlia is unable to sleep at night and has long forgotten what drugs she is meant to be taking. She misses her dead husband, who manifests himself in the body of a living friend, and gets involved in her daily activities. Through these characters, Diogo Costa Amarante constructs a fascinating portrait of lives lived while desires remain unrealised.
The economic crisis, a teddy bear with suicidal tendencies named Judy Garland, the Discovery Channel, a black panther and the Russian playwright Anton Tchekhov are all part of the heroic adventure of a little girl who has a problem to solve.
Lazarus de Jesus is the adopted son of a wealthy lady from Lisbon, whom he calls Grandmother. It is she who introduces him to Godfather, a great businessman who takes him as his protégé, and Angelina, the woman Grandma wants him to marry. But Lazarus has other hidden interests, the most important of which is an obsessive fixation on female armpits. When he sees the violinist Maria Pia playing, Lazarus immediately falls in love and starts to live for her, which will precipitate an absolutely unpredictable ending.
A piece of dance theatre conceived and choreographed by Alain Platel for his company Les Ballets C de la B (Les Ballets Contemporains de la Belgique). Platel was in the process of developing the work when he learnt of the death of the German choreographer and dancer Pina Bausch and was so moved that he offered it as a posthumous gift to Pina.
Ava, a professional dancer, finds herself in a toxic relationship with her partner, an accomplished choreographer, Nicholas. While he charmingly aims to convince her to go back to the stage, Ava slides towards a break-down.
Ava, a professional dancer, finds herself in a toxic relationship with her partner, an accomplished choreographer, Nicholas. While he charmingly aims to convince her to go back to the stage, Ava slides towards a break-down.
