Claude Durand

The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France

A police brigade and a financial brigade are sent to Switzerland to dismantle a banking sector.

Christmas Eve in Paris. Leo Zimmerman is a businessman who lives for his beloved little daughter’s smile. Outwardly, his life is exemplary. However, when Dimitri Kopas walks into his office, pretending to be a normal client, Leo understands that a contract is out on his head and that the young man has come to town to kill him. Overcome with anxiety and paranoia, no longer able to sleep, Leo decides to meet the killer face to face and to broker a strange deal.

A confrontation between two enemies. One is a young, captured Israeli agent and the other an older Arab inspector who tries to get the agent talk by making him regain his desire to live.

18-year-old small town Aline arrives in Paris and is employed as house servant in Robert and Ulla Marbois' home. Robert takes a fancy towards Aline and they begin an affair.

An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.

Against the backdrop of the French revolution, young Caroline tries to reunite with her first love, despite her arranged marriage to an older politician.

During WWII, Bruno gave away many people to the Gestapo. Now, 25 years after, with a new face given by plastic surgery, he is back and becomes friend with his victims' relatives and friends...

In Paris, a gold smuggler is at war with other local gangsters who want piece of the action. Then the mob shows up and makes things worse. And an undercover US Treasury Department agent is trying to infiltrate the smuggling business.

Brassac is a drunken veterinarian who can't resist bringing home stray animals and humans. Lilli Palmer plays his long-suffering wife Marie. When he brings home the prostitute Simone, Brassac is not sure he is acting out of concern or lust. He beats up the pimp who comes looking for Simone, and Brassac is happy when she later falls in love with his neighbor, and they make Brassac a "grandfather."

프랑스군과 영국군이 독일군에 쫓기는 상황에서 1940년 6월1일과 2일 프랑스 서북부 해안에서 벌어진다. 던커크 근처의 쥐트코트 해변에서는 독일군의 맹공을 피해 본국으로 후퇴하려는 영국군과 밀려온 프랑스군들이 엉켜있다. 이들 가운데 마이야를 위시한 110사단 소속의 프랑스 군인들을 중심으로 한 패잔병들의 생활을 통해 전쟁의 참모습을 고발하며 극한상황에 처한 인간들의 모습을 그려내고 있다.

Marec, a truck driver is sent by his boss to track down through the Morroccan desert a reckless youngster who stole a brand-new truck and its payload. Riddled with bad luck, Marec will face the dangers of the desert, as well as a fishy partner, and a reluctant, misogynist tow-truck helper until the climactic fight.

전직 군인이었던 아마추어 복서 미셸은 자신의 마지막 경기라고 생각했던 시합에서 패배하고 만다. 그런데 그의 앞에 부유한 은행가 페르쇼가 나타나 경호원 자리를 제안한다. 마땅한 대안이 없던 미셸은 페르쇼의 제안을 승낙하지만, 곧 페르쇼가 경찰의 추적을 피하는 중인 범죄자라는 사실을 알게 된다.

TV 방송국에서 일하는 미셸은 스튜디오를 구경하던 릴리안과 줄리엣을 슬쩍 안으로 들여보내 주며 친해진다. 이후 몇 번의 데이트를 통해 가까워진 세 사람은 미셸의 제안으로 코르시카 해변으로 바캉스를 떠난다. 당시 프랑스 젊은이들의 일상을 생생하게 포착한 자크 로지에의 장편 데뷔작.

The holdup of the bank is a success. All happened according to plan. Now, Cyril Gad and his four accomplices must secure an alibi. What better place than a prison cell? As a result the five gangsters have themselves arrested on minor charges and start waiting until they are released. Unfortunately three of them die mysteriously, another one is openly murdered. The only man still alive, Tony, is scared. Easy to understand why...

Dedicated “to the exiled, proscribed, expelled, banned,” this montage of documentary images codirected and written by Jean Cayrol—a former deportee who wrote the commentary for Alain Resnais’s Night and Fog —makes the Spanish Civil War a synecdoche for all forms of brutal exclusion.