Ana Torrent
출생 : 1966-07-12, Madrid, España
약력
From Wikipedia, the free encyclopedia.
Ana Torrent Bertrán de Lis (born 12 July 1966) is a Spanish film actress.
Torrent's debut came in 1973 with the starring role as "Ana" in the film El espíritu de la colmena (The Spirit of the Beehive) directed by Víctor Erice, when she was seven years old. This was followed by another memorable role in which she played the lead character's younger self in Cría cuervos (Raise Ravens) (1976) by director Carlos Saura.
In 1989 Torrent performed with Sharon Stone in the film Blood and Sand directed by Javier Elorrieta.
In 1996 she received numerous awards and nominations, including a Goya Award nomination for her lead actress role in Alejandro Amenábar's film Tesis (Thesis). By the end of the 1990s, Torrent received critical acclaim when she played a Basque nationalist murdered for quitting ETA, in the film Yoyes (1999) directed by Helena Taberna.
In 2008 Torrent portrayed Catherine of Aragon in the film The Other Boleyn Girl (2008), starring Natalie Portman and Scarlett Johansson.
Description above from the Wikipedia article Ana Torrent, licensed under CC-BY-SA, full list of contributors on Wikipedia
Cora
A film noir with three deaths, two robberies and an escape. Two women in their fifties are set to meet on the banks of the Douro River. When Vera was young, she could not take care of her son and had to give him up for adoption. When Cora was young, her doctor told her that she could not have children and that only by adopting could she form a family. Both share the experience of having been mothers of a boy named Egoz. Now, our two protagonists meet again in Portugal to review the story of their lives and rewrite their destinies.
An actress and a filmmaker rehearse a film script. It gathers fragments from the diary that María Dolores González Katarain, Yoyes, wrote during her exile in Mexico between 1980 and 1985, right after she quit ETA, the armed organization she had led for some time.
Lucía
Peter has worked all his life at a Manchester bank. When he is awarded an early retirement, he decides to visit his brother in Benidorm, only to discover that he's disappeared.
Dora
The sudden reappearance of the young Vera in a coastal village makes Jordi decide to undertake the search for his father, who has been presumed dead for over twenty years.
Herself
The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.
Ana
일식이 일어나는 어느 날 베로니카는 친구들과 함께 죽은 아버지의 영혼을 불러내기 위해 위자보드 게임을 하게 된다. 일식이 최고조일 때 유리가 산산조각이 나고 잠들어 있던 악령이 깨어난다.
베로니카의 집까지 들어온 악령으로부터 동생들을 지키기 위해 그녀는 다시 한번 위자보드 게임을 하게 되는데…
Madre
Locked in a grand nineteenth-century mansion, 9 children are abused by an icy-looking woman who likes to be called 'Mother' by the children. Everything gets complicated with the arrival of a new victim, Teresita.
Ana (segment "Ana, Three Minutes")
In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.
Dona
Arising out of the horror of the Spanish Civil War, a candidate for canonization is investigated by a journalist who discovers his own estranged father had a deep, dark and devastating connection to the saint's life.While researching the life of Josemaria Escriva, the controversial founder of Opus Dei, the young journalist Robert uncovers hidden stories of his estranged father Manolo, and is taken on a journey through the dark, terrible secrets of his family’s past.
Francesca
Francesca is a pediatrician who is dedicated to both motherhood and children, married to another physician, Pedro. After the birth of a new child, Francesca begins to suffer from postpartum depression. Following the advice of friend and psychiatrist Jean, the couple move to a new home away from the city…
Argentine writer Camila Ponte is on a promotional tour for her first novel, which has become a real success. In one of the acts, Vega, a mysterious woman, approaches her and convinces her to go to a hotel. Camila is thought to be working for her publisher but in reality Vega seeks revenge and kidnaps her. The victim seems to accept the abduction, since between both a history of suspicion, distrust and also love arises.
Katherine of Aragon
볼린 가의 아름다운 딸 앤 볼린은 영국의 국왕 헨리 8세를 유혹하여 권력과 명예를 얻으려 한다. 그러나 왕의 마음을 사로잡은 것은 동생 메리 볼린. 왕은 당차고 도전적인 성격의 앤과 달리 순수함과 관능미를 가진 메리에게 빠져들고 그녀를 궁으로 불러들이게 된다. 메리는 집안의 이익과는 상관없이 왕을 진심으로 사랑하게 되고 권력과 명예를 중요시하는 앤과 갈등을 일으키게 된다. 이후 왕의 아이를 임신하게 된 메리가 왕과의 동침이 불가능해지자, 동생에 대한 질투와 증오로 기회를 엿보던 앤은 동생을 밀어내고 왕을 유혹하기 시작한다. 앤이 점차 다가올수록 그녀의 요부 같은 섹시미에 빠져드는 헨리 8세는 그녀를 갖기 위해 애를 쓰지만, 앤은 그와의 잠자리를 쉽게 허락하지 않고 더 큰 권력을 가진 ‘왕비’가 되길 원하는데…
Charlotte des Arbres
Follows Tulse Luper as he is swept into the ill-fortuned tides of the 20th century and forced to spend his life in a succession of imprisonments.
Charlotte des Arbres
The Tulse Luper Suitcases reconstructs the life of Tulse Luper, a professional writer and project-maker, caught up in a life of prisons. He was born in 1911 in Newport, South Wales and presumably last heard of in 1989. His life is reconstructed from the evidence of 92 suitcases found around the world - 92 being the atomic number of the element Uranium. The project includes three feature films, a TV series, 92 DVDs, CD-ROMs, and books.
Magdalena
Charlotte des Arbres
The Tulse Luper Suitcases reconstructs the life of Tulse Luper, a professional writer and project-maker, caught up in a life of prisons. He was born in 1911 in Newport, South Wales and presumably last heard of in 1989. His life is reconstructed from the evidence of 92 suitcases found around the world - 92 being the atomic number of the element Uranium. The project includes three feature films, a TV series, 92 DVDs, CD-ROMs, and books.
Three women from three different generations meet at last in a trip to a resort in northern Spain.
Actress
The Tulse Luper Suitcases reconstructs the life of Tulse Luper, a professional writer and project-maker, caught up in a life of prisons. He was born in 1911 in Newport, South Wales and presumably last heard of in 1989. His life is reconstructed from the evidence of 92 suitcases found around the world - 92 being the atomic number of the element Uranium. The project includes three feature films, a TV series, 92 DVDs, CD-ROMs, and books.
Maruja Céspedes
The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.
A woman finds herself going from having no man in her life to having more suitors than she can handle in this offbeat romantic drama. Rosa is an artist in her early forties who is recently divorced and looking for a new relationship. Unfortunately, few immediate prospects are on the horizon, and Rosa spends much of her free time commiserating with her close friend Jaime, a gay actor her own age. After consulting Andronica, a fortune teller, Rosa is told that relationships with three different men are on the horizon for her, and soon she finds herself falling for Gustavo, an architect from Argentina. While in Spain, Gustavo is staying at a hotel run by Greta, who is the unwitting center of a web of romantic entanglements; her daughter, is involved with Juan, a delivery boy for a pizza parlor who also has his eye on Rosa, while Greta's ex-husband (Bob Wilson) is also hoping to win Rosa's heart, in his case through poetry.
The daughter of a poker player frequents the casinos to earn a living the only way he has learned: playing.
Yoyes
Yoyes, the first woman to hold responsibility positions within ETA, returns from exile in Mexico and try to rebuild her life. But her return is not easy.
Adelina
In the colonial New Spain Ana is a missionary who decides to support the indigenous people.
The Virgin
A bittersweet comedy in Spanish and English about a Cuban family that migrates to the United States. Robertico, Carmela and Roberto's youngest son, grow up feeling ashamed that his family might not be American enough. He has reached this conclusion by constantly watching American television and forming an opinion as to how Americans really are. Led by his desperation, he literally escapes into an American television sitcom in order to forget about his Cuban past. Not knowing what to do, his family prays to the Virgin Mary to ask for help. When the cultures clash, Robertico has to decide whether he is strong enough to withstand his own self-hatred, and learn not only self-esteem, but how to embrace his Cuban roots.
Self - Actress
The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.
Ángela
안젤라는 사진을 전공하는 학생으로 '영화에 나타난 폭력'이란 제목의 논문을 준비하고 있다. 지도교수는 비디오테크에서 폭력 영화테입을 찾아주기로 하고, 동료인 케마는 자신의 집에서 스너프 무비를 보여준다. 교수는 비디오테크에서 우연히 수백개의 비디오테입으로 채워진 미로를 발견하고 그중 하나를 가져온다. 다음날 아침 안젤라는 프로젝션 룸에서 그가 숨져있는 것을 발견하고, 무의식중에 테입을 집으로 가져간다. 살인현장에서 발견된 비디오 테입. 너무나 두려운 나머지 화면은 보지않고 소리만을 들어본 안젤라는 비디오 테입에서 들리는 소리에 경악을 하고 마는데 그녀가 들은 건 죽어가는 여인의 비명 소리였다. 케마와 함께 비디오테입을 보던 안젤라가 발견한 것은 살인의 기록을 담은 영화였다. 안젤라는 화면 속의 여자가 사지가 잘려나가는 고통을 당하는 것을 보고 극도의 공포에 사로잡힌다. 테입속에 담겨진 여인의 살해장면. 케마는 화면의 상태를 보고 살인자의 카메라 모델을 알아내고 그 며칠 후, 안젤라는 학교에서 그 카메라를 가지고 있는 보스코라는 청년을 만난다. 그리고 그는 비디오에서 보았던 바네사의 친한 친구라는 것도 알게 된다. 그러나 살인자가 사용한 카메라는 몇 년 전 학교에서 몇대씩이나 구입했다는 것이 밝혀진다. 살해당한 교수 대신 안젤라의 논문을 지도하는 카스트로 교수. 그는 논문에 대해 논의하던 도중 보안 카메라에 잡힌 안젤라의 모습을 보여준다. 그녀가 테입을 훔치는 순간을 잡은 테입을. 카스트로는 그녀가 가져간 테입을 돌려줄 것을 요구하고 안젤라는 사력을 다해 도망친다. 안젤라는 자신이 그 테입에서 보았던 소녀와 같이 희생될지도 모른다는 사실에 치를 떠는데...
La Tacatún
Madrid, 1974. Former women's jail of Yeserias. Lucia, a girl well situated in society, is condemned to spend ten years in jail due to her relation with a politic militant against Franco's dictatorship. While being in prison she lives with every kind of woman: intelectuals, killers, illiterates, ... All of them must share food, living space, joys and pities; joined by the same fate, lack of freedom, they will have to fight together against desperation. Lucia is willing o live, to learn form that world the fate has given to her where, on the contrary to what she imagines, tenderness and laugh exist. And also the complicity and solidarity of some women living an experience which will mark them for ever.
Victorina Vidal
Macau 1897. Life is easy for Portuguese settlers. Young reveler Francisco Frontaria is deemed as irresponsible for all his partying and boozing. Shunned and exiled for crossing a line by insulting the daughter of a prominent family, he finds himself penniless and vagrant.
Catalina
바스크 지방 두 집안의 60년 동안의 원한과 적대, 애증 관계를 그린 훌리오 메뎀의 장편 데뷔작. 1875년부터 스페인 내전이 끝나는 1936년까지 3대에 걸친 갈등이 ‘겁쟁이 장작패기꾼’(1875), ‘도끼’(1905), ‘불 밝혀진 구덩이’(1915), ‘숲 속의 전쟁’(1936)이라는 4개의 에피소드를 통해 펼쳐진다. 1875년 카를로스 전쟁 중, 마누엘 이리히벨은 친구이자 장작패기 대회 라이벌인 카르멜로 멘딜루세가 총의 맞아죽자 그의 피를 몸에 바르고 시체로 위장하여 목숨을 건진다. 도망치던 그는 커다란 소의 공허한 검은 눈과 마주친다. 타르코스프키나 테렌스 멜릭의 작품에 비견된다는 평가와 함께 여러 영화제에서 수상하며, 훌리오 메뎀을 카를로스 사우라나 페드로 알모도바르에 버금가는 작가 반열에 올려놓은 놀라운 데뷔작. 메뎀의 몽환적이고 초현실적인 스타일이 탁월한 촬영과 음악, 빼어난 연기와 어우러진 아름답고 매혹적인 영화.
Carmen Espinosa
Remake of the tale of an acclaimed matador who finds himself involved with a beautiful woman, jeopardizing both his marriage and career.
Carmen Ordóñez
Larger-than-life American author Ernest Hemingway is the subject of this biopic that chronicles the famous writer's life from childhood to his suicide at age 61. Haunted by various inner demons -- including his father's suicide -- Hemingway serves in World War I, marries four times, and finds creative support from Ezra Pound, Gertrude Stein and other expatriates living in 1920s Paris.
Andrea
This literary film is imbued with the disenchantment of Spanish exiles who left their homes to protest Franco's fascist regime and then returned after its demise to find that democracy had not instilled either ethics or deep motivation in government leaders. Director Basilio Martin Patino presents his story, and a large part of the film is based on his own life, through the experiences of an exiled heroine played by Charo Lopez. She has returned to Spain to look for meaning in her life, something that she never found living in Germany, not even after having a child. She is also in the process of translating the German lyric poet Friederich Holderlin (see the 1985 Halfte Des Lebens) into Spanish, focusing on his epic Hyperion. Excerpts from the translation are voiced over throughout the film. As she looks up old friends from many, many years ago, even those who have achieved worldly success are suffering from the same ennui that propelled her back home.
Barbara
Goyita
In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He's enchanted and tells his friend the village priest that he's living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.
Basque Girl
Spain, 1973. Dictator Francisco Franco has ruled the country since 1939 with an iron fist; but he is now a very old and sick man. The future of the weakened regime is in danger. Admiral Carrero Blanco is his natural successor. The Basque terrorist gang ETA decides that he must die to prevent the dictatorship from continuing.
Niña Elisa
Elisa has not seen her father Luis for nine years, but she receives a telegram from her sister Isabel in a moment of crisis of her marriage with Antonio telling that her father is ill and she decides to travel to the countryside of Madrid with Isabel and her brother-in-law Julián and their two children to visit Luis for his birthday. Elisa decides to stay with his father when her sister returns to Madrid with her family and she gets closer to Luis, understanding why he left her mother years ago. Later she tells him that Antonio cheated her with her best friend Sophie and their relationship has ended. When Antonio unexpectedly arrives in the house, Elisa takes a decision about her life.
Ana
엄마인 마리아가 지병을 앓다 죽자 아나는 아버지 때문이라며 독약이라고 생각되는 가루를 탄 음료수를 아버지에게 먹인다. 그 때문인지 아빠 안셀모도 죽게 되고, 아나와 이레네, 마이테는 졸지에 고아 신세가 된다. 죽은 엄마 아빠의 자리를 대신해 세자매는 이모와 거의 식물인간이나 다름없는 외할머니와 살게 된다. 영화는 아빠 안젤모의 죽음으로부터 시작해서 방학을 끝내고 다시 학교로 가는 세자매의 모습을 담은 간단한 줄거리를 가지고 있다. 그러나 이 영화는 시간을 가로지르며 아빠가 죽은 해인 현재를 중심으로, 부모가 살아있었을 때인 과거와 어른이 되어 '현재'를 회상하는 '미래'의 모습을 뒤섞어 프랑코 독재 정권 말기의 스페인 중산층 가족의 모습을 입체적으로 담아내고 있다. 프랑코 체제에 맞섰던 사우라의 긴 예술적 투쟁의 완성점을 이루는 걸작. 세 자매 중 둘째 아나는 한밤 중 아버지의 복상사를 목격하고 자신이 독살했다고 믿는다. 병으로 죽은 엄마에 이어 아버지마저 죽자 이모가 할머니와 세 자매의 보호를 맡는다. 아나는 계속 엄마의 환영을 보는 한편 이모를 독살하려 한다.
Ana
1940년, 스페인 카스티야의 작은 마을, 다섯살 소녀 아나는 일곱살인 언니 이사벨과 함께 마을회관에서 상영하는 을 보러 간다. 아나는 착한 괴물인 프랑켄슈타인이 여자 아이를 죽였을까 궁금해지고 그것을 언니에게 물어본다. 언니는 "영화에 나온 건 모두 거짓말이야. 괴물은 아이를 죽이지 않았어. 괴물은 아직도 세상 어딘가에 돌아다니고 있어. 아무도 괴물을 죽일 수 없어. 난 그 괴물을 봤어."라며 거짓말을 한다. 언니의 말을 들은 아나는 괴물을 찾으러 집을 나서는데...
While filming a movie, famous Spanish actor Julio Arenas disappears without a trace. Although his body is never found, the police conclude that he has suffered an accident at a cliff by the sea. Many years later, the mystery is brought up once more by a TV program, which offers previously unreleased images of the last scenes in which he participated, shot by his close friend, director Miguel Garay.
