After avenging the murder of her husband, Polina flees to Odessa where she hopes to hide from her merciless enemies. There she meets a young and charming Gleb and their sympathy begins to grow into something more ... but the mafia’s influence spreads very far, and the criminal group comes to the city to deal with her ‘for good’. Thus, Polina becomes a reason for fights for the territories. To stop this endless criminal saga, Polina is forced to turn from a victim into a hunter which draws her new and, as it turns out, mysterious friends into this dangerous game ...
작품의 제목 ‘영원 회귀’는 영화에 관한 키라 무라토바의 독특한 상상을 암시한다. 감독은 한 가지 이야기를 레나타 리트비노바, 나탈랴 부즈코 등 그동안 작업했던 여러 배우들과 반복해서 보여주며 의미와 맥락의 차이를 만들어낸다. 비슷한 상황의 사건을 각각 다른 배우들이 연기하는 동안 이야기 외적인 의미가 슬며시 끼어든다. 키라 무라토바가 78세에 발표한 마지막 작품
Four old friends - Kamil, Lesha, Sasha and Slava - all well-to-do professionals in their late 30s embarking on a two days road trip from Moscow to Odessa. They wish to escape the metropolis and the everyday routine of work, family and girlfriends to relax in a nightclub run by Slava's friend and to see the popular band B-2 show.
고아인 두 어린이가 잃어버린 아빠를 찾아 모스크바로 험난한 여행을 떠난다. 여행 도중 아이들과 만난 어른들은 때론 따뜻하게 때론 매정하게 아이들을 대하고, 고아원으로 돌아가고 싶지 않은 아이들은 행동 하나하나가 조심스럽다. 2009년 모스크바영화제 여우주연상 수상(레나 코스티우크).
A determined student from Chicago is forced to fulfill the last wish of his ailing grandfather. He has to travel to Odessa, Ukraine, and bring back his grandfather's cat.
The film TWELVE CHAIRS linked in a spectacular way the dramaturgy of a treasure hunt and chase with a dense imagery of people and places. It tells both of yesterday and today, the reality of the people in the CIS countries and the universal humanity of our own actions. Large social utopia thus mixes with the individual hope of personal happiness, be it through money or in love.
World War II is over and Heinrich, a young German boy, influenced by the Russians, starts to act according to Communist principles in a small German village.
