Heinrich Hauser

출생 : 1901-08-27, Berlin, Germany

사망 : 1955-03-25

참여 작품

Girl from Hong Kong
Novel
Unusual race relations melodrama from West Germany follows a German sailor who meets and weds a Chinese woman while on leave in Hong Kong, only to meet with disapproval from his family and friends when the couple returns to Europe.
Männer, Meer und Stürme
Cinematography
Short film using material from the 1930 documentary "Windjammer und Janmaaten".
Chicago – A Metropolitan in the Making
Writer
Heinrich Hauser, born 1901 in Prussia, filmed Chicago long before Hollywood discovered the authentic showplace. He went there at the height of the Great Depression, in 1931. It was only him and his camera. He manages without stars. He is not interested in the world of make-believe: no impressionist images, no experimental city poem, no travelogue or image film, no posed footage, certainly not one of the usual culture fi lms. The city was all that counted: the Naked City and the people living here. Hauser was obliged to Neue Sachlichkeit: New Objectivity – and to his aspirations and ambition as an artist.
Chicago – A Metropolitan in the Making
Cinematography
Heinrich Hauser, born 1901 in Prussia, filmed Chicago long before Hollywood discovered the authentic showplace. He went there at the height of the Great Depression, in 1931. It was only him and his camera. He manages without stars. He is not interested in the world of make-believe: no impressionist images, no experimental city poem, no travelogue or image film, no posed footage, certainly not one of the usual culture fi lms. The city was all that counted: the Naked City and the people living here. Hauser was obliged to Neue Sachlichkeit: New Objectivity – and to his aspirations and ambition as an artist.
Chicago – A Metropolitan in the Making
Director
Heinrich Hauser, born 1901 in Prussia, filmed Chicago long before Hollywood discovered the authentic showplace. He went there at the height of the Great Depression, in 1931. It was only him and his camera. He manages without stars. He is not interested in the world of make-believe: no impressionist images, no experimental city poem, no travelogue or image film, no posed footage, certainly not one of the usual culture fi lms. The city was all that counted: the Naked City and the people living here. Hauser was obliged to Neue Sachlichkeit: New Objectivity – and to his aspirations and ambition as an artist.
Windjammer and Janmaaten - The last sailing ships
Producer
Windjammer and Janmaaten - The last sailing ships
Cinematography
Windjammer and Janmaaten - The last sailing ships
Director