Parinee Buthrasri

Squish! is a meditation on the self through lurid and liquid forms; filtered through both old and foreseeable technology informed by Thai animation history and contemporary culture, and a constant process of constructing and deforming new selves to simulate ‘movements’. By extrapolating and redefining the terms of ‘movement’, be it through psychological, physical or political understandings, the work interweaves the medium of animation with a state of depression.

20대 중반의 친구 네 명이 제2차 세계 대전 기념관인 죽음의 철도 박물관에 방문하고자 깐짜나부리로 향한다. 이들의 이야기와 평행을 이루는 한 여자의 이야기가 있다. 그녀는 친구가 알 수 없는 이유로 자취를 감춘 뒤 숲에 홀로 남는다.

According to Thai superstition, a virgin can ward off rain by planting lemongrass upside-down underneath an open sky. This belief remains prevalent to this day. As clouds begin to gather, Piano, the young production manager on a film set, is tasked to carry out this tradition. As her fellow female co-workers shy away from the duty, Piano is left with no choice but to take on the burden of becoming the lemongrass girl.

In this updated homage to the 1930 German silent film of the same title, Thai artist Tulapop Saenjaroen examines the paradox of people relaxing while being filmed. As a film shoot appears to be in perpetual delay, crew members kill time fiddling on their smartphones, all the while under the persistent gaze of the camera.

A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.

A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.

E-po, a widowed 85-year-old grandma, lives a humdrum existence in her tiny Phuket home. Every now and then, her caretaker Fong receives a phone call from Bangkok: a reminder to check on E-po's gambling problem.

불행한 결혼 생활과 무기력한 직장 생활에 지쳐가던 건축가 타나는 방콕 도심에서 어린 시절 잃어버렸던 코끼리를 우연히 만나게 된다. 타나와 코끼리는 어린 시절 함께 뛰놀던 시골농장을 찾기 위해 태국 전역을 도는 여정에 나선다. [출처] 2020 아세안 영화제

Pueng, daughter of a military Colonel, has planned to spend her married life with Mann, a young Lieutenant with a promising future. On the day Martial Law was announced, she received a wedding invitation from a high school friend back in her hometown. Upon her return to Chanthaburi, Pueng is reunited with her old friends and encounters Boyd who came back to work at the promising event as a wedding photographer. The unresolved feelings between Pueng and Boyd resurface as they relive the old memories of their youthful days.

A Thai documentary about 'Van VDO' the VHS shop in 1990s. The shop established the independent cinema scene for Thai audience by selling VHS of American, European, and Asian indie films. However, all of them are pirate and illegal.

Two different boys, from different backgrounds and ways of life, seek answers for themselves in religion.

Two different boys, from different backgrounds and ways of life, seek answers for themselves in religion.

The film follows four high school boys driven by very different reasons, end up praying before the Luang Poo at the spirit house near their school, promising to give the idol a Thai dance if their wishes come true. The boys enlist Nut a professional dancer to teach them some moves.