Cinematography
In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.
Director of Photography
After the tragic death of her daughter Lily, Hannah searches for ways to reconnect and process her grief through increasingly daring and innovative artistic expression. Hannah becomes obsessed with death, children and duality, to the point at which sudden appearances of Lily’s ghost and Hannah’s own doubles begin to manifest - possibly from her imagination or perhaps from the fringes of reality. Diving deep into her art, using unprecedented photographic techniques, Hannah teeters on the edge of madness as she struggles to come to terms with her loss. Inspired by the life of photographer Hannah Maynard (1834-1918).
Editor
Memories, identity, intergenerational trauma and diaspora become merged and confused. An exploration of a meditative respite from the human condition.
Producer
Memories, identity, intergenerational trauma and diaspora become merged and confused. An exploration of a meditative respite from the human condition.
Writer
Memories, identity, intergenerational trauma and diaspora become merged and confused. An exploration of a meditative respite from the human condition.
Director
Memories, identity, intergenerational trauma and diaspora become merged and confused. An exploration of a meditative respite from the human condition.
Nine artists across the continent document their sensory experiences of lockdown, and the results broke our editing program. What emerges is an absurdist collage that playfully flips the format of a video conference on its head. Filmmakers Alicia Eisen and Sophie Jarvis pose the question: is the human need to make sense of chaos an inherently chaotic pursuit?
First Assistant Camera
BARE BONES is an experimental short film written, directed and scored by DEBBY FRIDAY. Conceived during the Covid-19 lockdown and shot in Vancouver, BC on 16mm, the film tells the story of a young woman who swallows a bee and begins to undergo a hallucinatory and transformative experience. Abstract visual sequences depict time and space fracturing around her as she succumbs to wave after wave of pure feeling.
Second Assistant Camera
A woman and man in their early sixties try to cure loneliness on a second date. However, when the man eagerly convinces the apprehensive woman to sneak into an abandoned bowling alley, the discord in their personalities becomes apparent.
Grip
In the near future, a teenage girl attends a virtual reality high school.
Director of Photography
A little girl spends one last day with her babysitter.
