Hideto Ishii

출생 : 1960-05-31,

약력

Hideto Ishii (born 31 May 1960) is a Japanese film director, renowned for his 8 mm films. Born in Shibukawa, Gunma, he graduated from Senshu University.

참여 작품

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Producer
Last year, my grandfather died. The film begins with the words "Last year, my grandfather died," and the filmmaker turns his attention to his grandmother, who is left behind. She says she could die at any time, but she lives on. The artist's fingers crawl over the grandmother's face, caressing the wrinkles. Her mother supports her as she gives her a bath. The artist, who says that one cannot avoid one's own blood or family when thinking about oneself, tries to question one's own existence by looking at the grandmother.
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Script
Last year, my grandfather died. The film begins with the words "Last year, my grandfather died," and the filmmaker turns his attention to his grandmother, who is left behind. She says she could die at any time, but she lives on. The artist's fingers crawl over the grandmother's face, caressing the wrinkles. Her mother supports her as she gives her a bath. The artist, who says that one cannot avoid one's own blood or family when thinking about oneself, tries to question one's own existence by looking at the grandmother.
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Director of Photography
Last year, my grandfather died. The film begins with the words "Last year, my grandfather died," and the filmmaker turns his attention to his grandmother, who is left behind. She says she could die at any time, but she lives on. The artist's fingers crawl over the grandmother's face, caressing the wrinkles. Her mother supports her as she gives her a bath. The artist, who says that one cannot avoid one's own blood or family when thinking about oneself, tries to question one's own existence by looking at the grandmother.
Home, Return To
Director
Last year, my grandfather died. The film begins with the words "Last year, my grandfather died," and the filmmaker turns his attention to his grandmother, who is left behind. She says she could die at any time, but she lives on. The artist's fingers crawl over the grandmother's face, caressing the wrinkles. Her mother supports her as she gives her a bath. The artist, who says that one cannot avoid one's own blood or family when thinking about oneself, tries to question one's own existence by looking at the grandmother.