Lauren DeFilippo

In the Kenyan village of Kogutu, we watch the arrival of a group of visitors representing the charity GiveDirectly. The NGO agents gather villagers to introduce a program that will give every adult member a universal basic income (UBI), the equivalent of $22 per month, for a test phase that will last 12 years. Their community is one of hundreds targeted in several countries, backed with $30 million of funding. Free Money follows what happens in Kogutu over three years to study the consequences of the project, both intended and unintended.

미국 현대무용의 선구자 중 한 명인 흑인 안무가 앨빈 에일리. 영화는 힙합 안무가 레니 해리스가 앨빈 에일리에 대한 새로운 무용극을 준비하는 과정과 알빈 에일리의 작품세계를 촘촘히 엮으며 그가 오늘날 미국 무용계와 사회 전반에 남긴 유산을 기록한다. 1931년 짐크로우법 시대에 텍사스 시골에서 태어난 앨빈 에일리는 아프리카계 미국인들의 정체성과 역사에서 영감을 받은 새로운 움직임을 미국 현대 무용에 도입하고, 58년 앨빈 에일리 어메리칸 댄스 시어터를 창립한다. 개척자였던 그는 늘 외로웠지만, 그가 뿌린 씨앗은 오늘날 미국 현대무용의 풍요로운 기반이 되었다. (2021년 제17회 제천국제음악영화제 / 김소혜)

Six people live for a year on “Mars” in a NASA experiment studying what happens to humans when they are isolated from Earth. Shot by the subjects themselves over the course of the mission, Red Heaven vividly captures six people pushed to their limits in an exploration of our most fundamental needs as human beings.

Garden designer Lynden B. Miller explores the life and career of Beatrix Jones Farrand (1872-1959), America's first female landscape architect.

During the darkest days of the Depression when construction was started on Grand Coulee Dam, everything about it was described in superlatives. It would be the "Biggest Thing on Earth," the salvation of the common man, a dam and irrigation project that would make the desert bloom, a source of cheap power that would boost an entire region of the country. Of the many public works projects of the New Deal, Grand Coulee Dam loomed largest in America's imagination, promising to fulfill President Franklin Roosevelt's vision for a "planned promised land" where hard-working farm families would finally be free from the drought and dislocation caused by the elements.