Nicholas Emmanuele

참여 작품

더 킬러
Electrician
결정적 순간에 아슬아슬하게 타깃을 놓친 암살자. 사적인 감정은 없다면서도, 이 응징을 위해 국제적인 추격전에 뛰어든다. 그 여정에서 의뢰인들, 그리고 그 자신과의 싸움이 시작된다.
Split Ends
Director of Photography
From the festering wound of an impulsive decision is born Isa's fear that her abuela is forgetting her. Any twenty-something could tell you they’ve chopped off their hair as a means of regaining agency in uncertain times. Instant regret: what if this exacerbates her dying abuela’s dementia? Instant defiance: her mother's disapproving opinion is unwelcome. The harder Isa bites down on the spot of her tongue that tastes like remorse, the more decapitated hair crawls up her drain pipes; a manifestation of her complex anticipatory grief. No choice but to confront it. This horror is a commentary on Latinx beauty standards––especially ones that concern women's hair and are perpetuated by mothers.
Endless Content Forever
Cinematography
A small Youtuber occasionally makes half ironic videos for few to see. A half narrative, half experimental view of the numb feeling of consuming endless amounts of content online instead of doing anything else, forever.
Dirtbag
Director of Photography
Harold has been given a bag of dirt, and he needs to get rid of it immediately.
Pilots
First Assistant Camera
Two Pilots present software at a convention after the tragic death of their friend.
프랜시스와 나
Grip
브리짓은 낙태 수술을 받자마자 6살 프랜시스의 유모로 취직한다. 회복할 겨를도 없이 그녀는 고집불통 프랜시스와 그녀의 엄마 사이에서 시달린다. 고달픈 일상 가운데 브리짓과 프랜시스 사이에는 뜻밖의 우정이 피어나고, 브리짓은 점점 프랜시스 가족의 일원이 되기 시작한다.