Raffaele Benedetti

Felice Della Pietà is indifferent to money and the turbulences of life. His wife Sylvia simulates suicide in order not to live in poverty with him.

A race-car driver must elude the police and two rival criminal organizations as he tries to locate a suitcase full of heroin and absolve himself of murder.

In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.

A high-rise apartment populated by models, nightclub dancers and call girls becomes the focus of a mysterious serial killer. When a young model named Jennifer and her friend Marilyn move into one of the victims' former apartments, Jennifer becomes the next target and the pair try to identify the killer.

Exotic dancer Nicole finds herself terrorized by a black-clad assailant determined on procuring her murdered father's stolen gems. Fleeing Paris in hopes of evading her knife-wielding pursuer, Nicole arrives in England only to discover that death stalks her at every corner.

An American journalist in Prague searches for his girlfriend who has suddenly disappeared.

A masked killer stalks an institution for mentally disturbed rich women.