Simona Infante

참여 작품

Api
Editor
Due ma non due
Editor
Fulci Talks
Color Grading
Rome, Italy, June 1993. Antonietta De Lillo and Marcello Garofalo interview legendary Italian film director Lucio Fulci (1927-96).
Agalma
Color Grading
A whirlwind of activity sweeps us into the daily routine at the Archaeological Museum of Naples.
The Flies
Editor
The vicissitudes and adventures of a group of youngsters, left to themselves while an apparently placid and sleepy life flows undisturbed.
Open to the Public
Color Grading
The Institute for Public Housing in Naples employs about 100 people. When the office is open to the public, employees receive residents who live in the 40,000 houses managed by the institute. Their task is to find solutions to citizens’ problems and trigger the bureaucratic procedures to solve them. But managing these chaotic lives within rigid legal structures is not an easy task and employees are often forced to resort to a singular art: “bureaucratic compromise”. (Tënk)
It can't always be summer
Color Grading
It's a documentary that examines the development of a group of teenage kids from the outskirts of Naples and their involvement in a theatre group. Chiara Stella, Domenico and Alessio are all 15 years old and every Monday they go to theatre classes at the Centro Asterix, a recreational space with a small theatre, located in San Giovanni in Teduccio, a district in the eastern suburbs of Naples. The film closely follows the relationships between the children and their teachers; Nicola encourages the children to look into themselves and find ways of facing life with a conscious and above all calm approach. The stories, the needs and personalities of Chiara Stella, Domenico and Alessio emerge through crises, successes and reflection; they open up to each other thanks to the methods and direction of Nicola and through improvisation on the stage. The theatre thus becomes a space for discussion and self-analysis.
It can't always be summer
Editor
It's a documentary that examines the development of a group of teenage kids from the outskirts of Naples and their involvement in a theatre group. Chiara Stella, Domenico and Alessio are all 15 years old and every Monday they go to theatre classes at the Centro Asterix, a recreational space with a small theatre, located in San Giovanni in Teduccio, a district in the eastern suburbs of Naples. The film closely follows the relationships between the children and their teachers; Nicola encourages the children to look into themselves and find ways of facing life with a conscious and above all calm approach. The stories, the needs and personalities of Chiara Stella, Domenico and Alessio emerge through crises, successes and reflection; they open up to each other thanks to the methods and direction of Nicola and through improvisation on the stage. The theatre thus becomes a space for discussion and self-analysis.
L’Armée Rouge
Editor