Amedeo Riva

Guia de Filmes indicates: "melodrama addressing the massification of large urban centers and the contradictions of consumer society and advertising. It is the first independent production by the firm of Vera Fischer and Perry Sales, and also, the first film directed by Englishman Michael Sarne in Brazil; however, he retired before completion and the film was finished by Perry Salles, marking his directorial debut ".

Adaptation of Machado de Assis’s classic novel “Dom Casmurro”. Bentinho and Capitu are friends since childhood and end up marrying. But Bentinho destroys his life when he starts suspecting Capitu has an affair with his best friend and that his son is not really his.

Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.

Foreign country wants to perpetrate a coup in Brazil. They employ a new technique of subliminal messages, which are transported along with radio and TV waves. In no time, the population gets deranged and the country dives into ultimate chaos. Only a few people who don't watch television nor listen to radio are immune to it, and have the responsibility to abort the scheme, without really knowing what they're dealing with.

Banned by Brazil’s Federal Department of Public Safety, Rio, 40 Graus is a landmark film that ushered in the wave of Cinema Novo in Brazil. The film chronicles a day in the life of five peanut vendors from Rio de Janeiro's favelas. This was one of the first Brazilian films to address the issues of race, poverty, and class.

A poor girl must find the money to pay for her blind sister's eyesight operation.