Lefteris Agapoulakis

In the summer of 2004, audiences looked on in disbelief as the Greek National Football Team, a country that had never previously won a single match or even scored a goal in a major tournament, took down the giants of world football to become the unlikeliest of European Champions. The architect behind this unprecedented triumph was legendary German football coach ‘King’ Otto Rehhagel. After accomplishing every major success in Germany, he made the bold decision to leave all he knew behind and work in a foreign country with the underachieving Greek National Team. This is the story of how these two contrasting cultures came together to speak the same language and write a new chapter of Greek mythology.

Three generations of women in one household do what they can to prepare for the impending loss of one of their number.

Three tortured souls in an underground parking lot; a little girl arrives; a crime is committed and tension keeps rising in this claustrophobic psychological thriller.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)