Alan Sousa
출생 : 1991-02-24, Fortaleza (Brazil)
Producer
Niara, a police clerk about to retire, is touched by the case of Jana, a single mother and widow who appears at the police station to claim satisfaction regarding the lack of investigation into the brutal death of the father of her newborn daughter. Added to her personal motivations and the recurring misogyny and corruption of her chief delegate, the clerk crosses the limits imposed on her to try to discover what goes on behind the institution she works for.
Writer
Niara, a police clerk about to retire, is touched by the case of Jana, a single mother and widow who appears at the police station to claim satisfaction regarding the lack of investigation into the brutal death of the father of her newborn daughter. Added to her personal motivations and the recurring misogyny and corruption of her chief delegate, the clerk crosses the limits imposed on her to try to discover what goes on behind the institution she works for.
Director
Niara, a police clerk about to retire, is touched by the case of Jana, a single mother and widow who appears at the police station to claim satisfaction regarding the lack of investigation into the brutal death of the father of her newborn daughter. Added to her personal motivations and the recurring misogyny and corruption of her chief delegate, the clerk crosses the limits imposed on her to try to discover what goes on behind the institution she works for.
Writer
During the 2018 elections, conflicts between Brazilians intensify over the major ideological differences in social, economic and identity spheres. As much as the documentary is a political cut in Ceará, one could well imagine it anywhere in the country, which certainly reflects widespread chaos, dark times. Within this process, when immersed in the streets, it was observed that, in fact, politics was a mask to incite other discussions. And so it turned out that the clash was not in the debate of more basic and collectivist agendas, but in the boundaries of the ego.
Director
During the 2018 elections, conflicts between Brazilians intensify over the major ideological differences in social, economic and identity spheres. As much as the documentary is a political cut in Ceará, one could well imagine it anywhere in the country, which certainly reflects widespread chaos, dark times. Within this process, when immersed in the streets, it was observed that, in fact, politics was a mask to incite other discussions. And so it turned out that the clash was not in the debate of more basic and collectivist agendas, but in the boundaries of the ego.
Director of Photography
Esther can't take any more of her relationship with Carol. A discussion takes place about each other's feelings.
Story
Esther can't take any more of her relationship with Carol. A discussion takes place about each other's feelings.