Daniel Meir

A depiction of the lead-up to the 1995 assassination of Israeli Prime Minister Yitzhak Rabin through the worldview of his assassin, Yigal Amir.

Yoav's demons start haunting him after his best friend becomes pregnant, without telling him, and after his boyfriend of 15 years starts talking about children, too. His life unravels, and self-destruction seems inevitable.

Yoav's demons start haunting him after his best friend becomes pregnant, without telling him, and after his boyfriend of 15 years starts talking about children, too. His life unravels, and self-destruction seems inevitable.

Born to a Nepalese father and an Israeli mother, Kaya is a foreigner wherever she goes. In Tel Aviv, she is taken for Asian, while in Goa she is perceived as a white person. A few years ago, as a home-schooled child, Kaya looked for ways to connect with her new surroundings and took up boxing at a small club. There, she met Soniya, a Hindu girl who became her close friend and rival in the ring. Now, Kaya and her mother return to India to part from Goa for good. Their journey raises questions of identity, motherhood and responsibility.

A journey from the mythical Dinka world in South Sudan to the dreams of happiness living a new life in Norway.

The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.