Thomas Wallmann

ZONE is a melodrama about a girl with paranormal abilities who fights against a system that tries to calculate and completely record people in a hermetically sealed area. In a time torn from chronology the rebel sets off with a bundle of hope in search of counterspaces and a life that feels like her own. Time and space collapse into each other. A country can be experienced through the pain, sadness and desire of its inhabitants.

Aware follows six brilliant researchers around the world who set out to discover the true meaning of consciousness, the world's greatest unsolved mystery. Through radically different approaches, the cast of researchers take the audience into a fascinating world of high-tech brain research, eastern meditation, psychedelics, the consciousness of plants experiments and eventually beyond the explicable.

Inherently political, the three films that constitute Muster (Rushes) (2012) visually link to one another, with each roughly half-hour narrative (79 minutes combined for the single-channel version) taking place at a former Benedictine monastery outside of Kassel, Germany. This monastery functioned as a concentration camp during the Nazi era, a reformatory for girls in the 1970s, and later a psychiatric clinic.

One morning, a tank appears in the daily scene of Jyderup, a small village in Denmark. The unusual war icon seems to emerge out of nothing at the horizon; it follows a long, straight road and then heads directly into town. The tank seems to be part of the landscape itself. The inhabitants approach it not with surprise or fear, but with enthusiasm. Is this a strange reaction, or just typical for those who live in a peaceful welfare state and who only witness war in the context of television, games and cinema entertainment?

“I, Soldier” is the first part of Köken Ergun’s video series in which he deals with the state-controlled ceremonies for the national days of the Turkish Republic. The nationalistic attributes attached to these large-scale ceremonies are underlined in a non-descriptive and almost voyeuristic point of view. I, Soldier was shot at the National Day for Youth and Sports, the day that marks the start of the independence war of the Turkish public under the leadership of Mustafa Kemal Atatürk against the Allied Forces back in 1919. The annual ceremony held at the biggest stadium of each city consists of figurative dances of high school students, choreographed in a timeless socialist-realist manner. In the last decade, popular songs have replaced the usual military marches, which accompanied the choreography.