Věra Kubíková

The Lavicka's, a Czech family from the city, rents a house in the country with the option to buy. However, old Mr Komarek seems reluctant to sell the house as they agreed.

Three short stories. Prague finally sees the approval of the subway construction. Thousands of individuals took part in preparing, course and finalizing construction of subway and their lives crossed at certain points of this construction.

Lieutenant VB, disguised as a laborer, is looking for a young woman killer among the staff of a wheel loader. But which of the possible motives found is the right one?

This film, chronicling the last days of Czech resistance fighter Maruska Kuderikova (played by Magda Vasaryova), is based on her diaries. Though she was tortured and eventually executed by the Nazis, her diaries indicate that she was optimistic for the humanity of her captors and did not by any means hate them. Told with simple dignity, this film makes clear why Maruska became a national hero.

Radúz, the son of a Magurian king, has lost his way hunting in the territory of the Tatra King Stojmír. He learns from his loyal servant Radovid the reason behind the two countries' conflict. When Radúz's mother Nyola married his father, the rejected wooer Stojmír married the evil Princess Runa. Runa out of jealousy continually incites hatred for Maguria. Radúz and Radovid have only just crossed the border when an army commanded by Runa detains them. The white deer that Radúz has killed belongs to the youngest of Stojmír's three daughters, the beautiful and delicate Mahulena.

평범한 생활을 하던 에바는 남편에 대한 싫증으로 비밀에 싸인 남자 로버트의 유혹을 받아들여 여행을 떠난다. 그녀는 여행 중에 왜 많은 사람들이 불행한 관계에서 벗어나지 못한 채 살아가는지 이해하려고 한다. 영화는 우화적인 이야기와 시각적 콜라주의 실험적이고 과감한 결합을 보여주며 남자와 여자의 끝없는 싸움을 그려낸다. 동시에 남자와 여자가 삶을 공유하면서 결혼에 대한 진실까지 함께 받아들일 수 있는지 질문한다. 1970년 칸영화제 경쟁 부문 상영.

It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.

Oldrich is the runt of his village, beaten by his father, bullied by the other boys. But he has imagination of his side, and a wiry toughness they can’t defeat. The village is in turmoil, because the Nazi occupiers have just retreated and the Red Army is advancing. Oldrich dodges amid the mayhem and panic, taking his share of blows but always managing to stay one step ahead. Beautifully shot and darkly ironic, Karel Kachyna’s forgotten masterpiece jumbles reality, memory and fantasy to capture the intensity and confusion of childhood in a war zone.

In a remote Slovak village in the closing days of World War II, a schoolteacher and his young wife find a wounded Russian parachutist in their front yard just as the Germans are coming in to occupy their village. As his wife readily becomes involved with anti-Nazi partisans, the schoolteacher collaborates with the Germans in fear.