Johannes Brahms

Since March 2020, the artists of New York City Ballet have been unable to perform at Lincoln Center. This is their return home.

After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.

Framed by the tranquil beauty of a forest near Berlin, Khatia Buniatishvili gives a recital of pianistic masterpieces dappled by the shade of verdant ferns and leafy canopies. As a special treat, her older sister Gvantsa joins her for four-handed works by Dvořák, Brahms, and Piazzolla. Described as a “force of nature”, Georgian pianist Khatia Buniatishvili takes her art into the wilderness with this concert. On a wooden stage, she sits in an earthy concert hall performing works of particular meaning for her, and beloved by audiences the world over. From Debussy’s Clair de Lune to Ravel’s La Valse, from Stravinsky’s Petrushka to Piazzolla’s Improvisations on Libertango, Buniatishvili demonstrates her wide palette of expression and lyric approach to her instrument. Interspersed with the music are intimate interviews of the artist herself in which she discusses on her musical upbringing, her career, and her impressions of the pieces she has chosen to include in the program.

Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahms' orchestral works with the Wiener Philharmoniker to honour the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Seeing Bernstein enjoying himself while conducting the Vienna Philharmonic in these lighter, familiar works by Brahms added to the pleasure I got from them. The Academic Festival Overture is especially well done. Some conductors don't seem to get it, but Bernstein did.

MOZART - BRAHMS

Leo Perutz' thriller deals with the persecution of a psychotic murderer in Vienna in 1909 who seems to lead his victims into a brilliantly hidden form of suicide.

There is someone at the zoo making hilarious mischief you won't want to miss!

The adaption of Arthur Schnitzler's brilliant study of the moral illusion and reality in a small town near Vienna at the end of the century. - After the famous radio adaption by Max Ophüls in 1954.

Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.

Film opens on December 18, 1999, just a few days before the dawn of the new century. A local reporter, Iron Idem, announces that the Martians have landed. Shortly after that his program loses its independence: he is given the script telling the crowds how to welcome the invaders.

This film combines two very different styles: an atmospheric psycho thriller about the ice-cold hired gun (masterfully played by Frank Gorschin), and the bizarre satire of the Austrian TV serial "Kottan ermittelt".

Karajan conducts these symphonies with eyes closed, often intently enraptured by the music, smiling occasionally when a passage or solo sounds just right to his ear. He conducts Brahms with a greater sense of urgency than does Bernstein: the First symphony is 11 minutes shorter as conducted by Karajan! Nothing is rushed but there is what can only be described as emotional compression, an intensity of expression that sounds quicker than Bernstein's performances.

An absurd black comedy that cunningly reverses the conventions of the crime thriller to comment on the alienating and dehumanizing effects of contemporary urban life. Alphonse Tram is unwittingly involved in several murders despite having no memory of committing the crimes. His confusion lead him to confess to his neighbour, Inspector Morvandieu. Alphonse and Morvandieu become the axis around which murders occur.

This unique document from the 1978 Salzburg Festival has fortunately been released on DVD and is a magical interpretation, prodigiously realized with a sublime fusion of timbres, a cohesion and ultimately, a simplicity that are truly unequalled. Listen as this great conductor produces musical nuisances that are unique to his art and how he accompanies the soloists with understanding and rapport. I have no hesitation in claiming this is one of the great recordings of the century.

Post-war movie

Given the proximity of death, the experiences of the past come to the memory of Juan. In a fragmented, sometimes confused way, Juan relives the crucial moments of his life, always linked to the names of women. Moments that remind him of having missed numerous opportunities to be happy.

A study of motion and form, mixing real images with computer generated graphics.

Introduces the world of painter René Magritte through an assemblage of the painter's images. Includes statements by Magritte about his intentions and anecdotes from his friends Mesens and Scutenaire.

젊은 남자와 사랑에 빠진 부유한 중년 부인의 불륜을 다룬 루이 말 감독의 문제작. 독특한 형식의 로맨틱 드라마다.

Don Paolo, a young parson troubled by his love for Agnese, tries to make peace in a little village in Sardinia where two families are at war.

The historic Toscanini television concerts with the NBC Symphony Orchestra. Broadcast #6 was of a concert on November 3, 1951 from Carnegie Hall, featuring the Overture to Carl Maria von Weber's Euryanthe and Brahms's Symphony No. 1 in C minor op68. (Concerts #6 and #7 were released as "Vol. 4" in the DVD series.)

The historic Toscanini television concerts with the NBC Symphony Orchestra. Broadcast #3 was of a concert on November 13, 1948, at NBC Studio 8H, featuring Brahms's Concerto for Violin, Cello & Orchestra, A minor op102; Liebeslieder-Walzer op52; and the Hungarian Dance #1 in G minor. (Concerts #3 and #4 were released on "Vol. 2" in the DVD series.)