François Leterrier

L'essence des formes (The Essence of Forms), a documentary from 2010 in which collaborators and admirers of Bresson’s, including actor François Leterrier and director Bruno Dumont, share their thoughts about the director and his work.

Tran and three of his friends flee Vietnam by swimming across the Mekong river. They take refuge in Thailand.

Loosely based on the book series by Charles Exbrayat.

A series of humorous sketches on life: "A Night to Remember", "Summit Showdown", and "A Book? That's personal!"

Barbara (Jane Birkin) marries Julien (Sami Frey) a charming and sexy man. Barbara's old flame Paul (Gérard Jugnot) is highly suspicious of Julien. It seems Julien's previous two wives died under dubious circumstances and he collected a wad of insurance money as a result. Paul cannot ignore his misgivings, and so he follows Barbara and Julien to Morocco on their honeymoon, intent on preventing any harm to the woman he still loves.

Barbara (Jane Birkin) marries Julien (Sami Frey) a charming and sexy man. Barbara's old flame Paul (Gérard Jugnot) is highly suspicious of Julien. It seems Julien's previous two wives died under dubious circumstances and he collected a wad of insurance money as a result. Paul cannot ignore his misgivings, and so he follows Barbara and Julien to Morocco on their honeymoon, intent on preventing any harm to the woman he still loves.

Whilst driving through rural France, Antoine Bonfils comes across a community of babas - men and women who have turned their back on the modern commercialist world and live, free of constraints, as close to nature as they can. After a tiff with his girlfriend, he decides to swap his comfortable but empty life in Paris for a new life with the babas. Adapting to the new life-style proves to be far from easy...

Whilst driving through rural France, Antoine Bonfils comes across a community of babas - men and women who have turned their back on the modern commercialist world and live, free of constraints, as close to nature as they can. After a tiff with his girlfriend, he decides to swap his comfortable but empty life in Paris for a new life with the babas. Adapting to the new life-style proves to be far from easy...

Young dynamic executive, married and father of two children, Jérôme Ozendron dreams of writing and escaping a life he considers mediocre. The meeting with a former comrade, who had become an actor, brought him into contact with the world of cinema. He meets, Natacha, a cover girl, for whom he is ready to give up, wife and children. Then he becomes the lover of Lilianne, a marginal who persecutes and pursues him. He quit his job to devote himself to writing a novel. But nothing goes as he wants.

Young dynamic executive, married and father of two children, Jérôme Ozendron dreams of writing and escaping a life he considers mediocre. The meeting with a former comrade, who had become an actor, brought him into contact with the world of cinema. He meets, Natacha, a cover girl, for whom he is ready to give up, wife and children. Then he becomes the lover of Lilianne, a marginal who persecutes and pursues him. He quit his job to devote himself to writing a novel. But nothing goes as he wants.

Young dynamic executive, married and father of two children, Jérôme Ozendron dreams of writing and escaping a life he considers mediocre. The meeting with a former comrade, who had become an actor, brought him into contact with the world of cinema. He meets, Natacha, a cover girl, for whom he is ready to give up, wife and children. Then he becomes the lover of Lilianne, a marginal who persecutes and pursues him. He quit his job to devote himself to writing a novel. But nothing goes as he wants.

Pierrot, a short-sighted, indolent and distracted young boy gets involved in a carnival at the Palais de la Rigolade whose main attraction is to place the women in an ascending current of air which makes their skirts fly. A fight in this Palace makes him lose his job. Then he meets Yvonne, the daughter of Pradonet, the owner of the funfair. He falls in love with Yvonne who hardly seems to share his feelings.

Family mother and model wife, Agnes hits a vehicle while driving in Paris. She immediately falls in love with the driver of the damaged car.

Family mother and model wife, Agnes hits a vehicle while driving in Paris. She immediately falls in love with the driver of the damaged car.

세이슈 섬에 정착한 엠마뉴엘은 여전히 자유 분방한 성생활을 즐기며 행복하게 산다. 이해심 많은 남편과 뜻을 함께 하는 이웃들, 그녀에게는 더 바랄 것이 없다. 그러나 오랜 자유 성생활이 그녀의 이상에 맞는 것인지에 대한 회의가 생기기 시작한다. 그럴 즈음, 촬영 장소를 물색하기 위해 온 영화감독 그레고리를 만난다. 그와의 관계에서 엠마뉴엘은 육체적인 쾌락 이상의 무언가를 느낀다. 그것을 보통 사람들은 사랑이라고 부른다는 것을 알았을 때 그녀는 지금까지의 생활이 무의미해짐을 깨닫고 충격을 받는다. 그러나 오랜 생각 끝에 새로 발견한 가치를 따라 그레고리를 찾아서 파리행 비행기에 오른다...

세이슈 섬에 정착한 엠마뉴엘은 여전히 자유 분방한 성생활을 즐기며 행복하게 산다. 이해심 많은 남편과 뜻을 함께 하는 이웃들, 그녀에게는 더 바랄 것이 없다. 그러나 오랜 자유 성생활이 그녀의 이상에 맞는 것인지에 대한 회의가 생기기 시작한다. 그럴 즈음, 촬영 장소를 물색하기 위해 온 영화감독 그레고리를 만난다. 그와의 관계에서 엠마뉴엘은 육체적인 쾌락 이상의 무언가를 느낀다. 그것을 보통 사람들은 사랑이라고 부른다는 것을 알았을 때 그녀는 지금까지의 생활이 무의미해짐을 깨닫고 충격을 받는다. 그러나 오랜 생각 끝에 새로 발견한 가치를 따라 그레고리를 찾아서 파리행 비행기에 오른다...

Commandant Gardefort, horseman at the Cadre Noir Riding Academy in Saumur, having given up hope of promotion decides to retire. To fill his time until then, he buys a mare, Milady, and in two years trains her to the highest dressage haute ecole standards. But he finds himself in dire financial straits over his divorce, and is obliged to sell the mare. She is bought by a rich Belgian banker, who transforms Milady into a circus horse. Visiting him, Gardefort resolves the situation in the only way he sees fit.

스타비스키(장 폴 벨몽드 분)는 프랑스 상류 사회에 속하기를 갈망했던 유태계 러시아인 아버지의 꿈을 언젠가는 자신이 이루겠다는 생각으로 살아 왔다. 그리고 그는 아버지의 그 꿈을 극단적으로 실천한다. 세련된 매너와 영리함으로 무장한 이 매력적인 사기꾼은 곧 프랑스 상류 사회 여성들이 가장 사귀고 싶어하는 인물이 된다. 그러던 어느 날, 스타비스키는 경찰의 지명수배 대상이 되고, 얼마 후 자살한 채로 발견된다. 핵심권력과 관련된 이 사건은 곧 프랑스 전역에 걸쳐 겉잡을 수 없이 퍼져나갔다. 스타비스키는 거짓말과 속임수로 많은 정재계 인사들 사이에서 거액의 뇌물을 수수해 왔던 것이다. 1933년 7월 24일 일요일 어느날, 그날도 어김없이 스타비스키는 성대한 파티를 즐기고 있었다. 늦은 저녁, 그의 충복인 보렐리는 벌이던 사업이 심각한 상태에 있음과 최근 꾸민 정크 본드 계획을 비롯해 이제까지 해왔던 사기 행각이 밝혀질 것 같다는 사실을 스타비스키에게 알린다. 그와의 대화 를 끝으로 파티장을 빠져나간 그는 돌아가신 아버지의 무덤을 찾는다. 그리고 그는 산 속의 작은 오두막에서 자살한 채로 발견된다.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.

Milan is an ex Formula One driver and now he lives with his wife Roberte in a small country town. But Milan is not satisfied, so Roberte encourages a love-story between Milan and Helene, a young woman. Milan can't decide and at last the tragedy comes. Then Milan returns to drive in Formula One.

Milan is an ex Formula One driver and now he lives with his wife Roberte in a small country town. But Milan is not satisfied, so Roberte encourages a love-story between Milan and Helene, a young woman. Milan can't decide and at last the tragedy comes. Then Milan returns to drive in Formula One.

Bobosse is increasingly immersing himself into the world of theater and experiencing his role as an actor more intensively. He plays in a piece where a man is abandoned by his wife and processes this philosophically. When his wife actually abandons him, he becomes embarrassed and plans to kill her.

폴로랑스는 기업체 사장인 남편 시몽을 살해하고 정부 줄리앙과 도피하기 위해 완전범죄를 노려 일을 꾸민다. 줄리앙은 토요일 늦은 밤 로프를 이용하여 사장실로 올라가 권총으로 남편을 살해한 뒤 자살로 위장하는 것까지는 성공했다. 그러나 지동차로 현장을 벗어나려 하는 순간, 창문에 걸린 로프를 보고 다시 사장닛로 가서 로프를 처리하고 엘리베이터로 내려오는 그 시간에 사건은 급진전되고 만다. 건물 관리인이 순시를 하다가 밤이 늦어 엘리베이터의 전원을 꺼버린 것이다. 때마침 밖에 세워둔 줄리앙의 시보레 자동차를 훔쳐타고 드라이브를 떠나버린 건달 청년의 살인사건이 겹치면서 영화는 복잡한 전개양상을 보인다. 이때 등장한 파리 경시청의 민완형사 세리에는 이 두 살인사건의 전모를 파헤쳐가면서 시몽의 살인범을 밝혀 내는데….

퐁텐느는 독일군에게 포로로 붙잡힌 레지스탕스 대원. 수용소로 이송되는 과정에서 이미 탈출을 시도하지만 여의치 않다. 하지만 그는 탈출에 대한 집념을 버리지 않는다. 사방이 꽉 막힌 답답한 감방 안에서 퐁텐느는 치밀하고 집요하게 탈출 준비를 해나간다. 그러던 어느 날 그는 독일군 측으로부터 곧 처형을 당할 것이라는 통보를 받는다. 이제 퐁텐느에게 탈출이란 자신의 생명을 구할 절대절명의 과제로 다가온다. 그러던 그에게 또 다른 곤혹스런 문제가 생긴다 그의 방에 다름아닌 조스트라는 어린 소년이 갑자기 들어오게 된 것. 퐁텐느는 고민한다. 그는 스파이일까? 성공적인 탈출을 감행하기 위해선 그를 죽여야 하는 것일까?