Joana Linda
출생 : , Lisbon, Portugal
약력
Joana Linda, born 1980 in Lisbon, Portugal, attended Communication and Cultural Sciences course at Universidade Lusófona (Lisbon), where she graduated in Cultural and Art Management. In 2001 she started to develop an auto-biographical work in photography, that expanded to video in 2008 with the project "The Seven Sisters", a set of videos exploring the idea of alterity. She exhibited in Portugal and Spain and her work was published in several portuguese and international magazines. In 2009 she made the videoclip "Bird On Your Grave" for the north-american singer Marissa Nadler, premiered in the "Subterranean" TV show of the MTV2 channel. In 2009 she made her first short film "And From Now On There Shall Be No More Wolves (o caçador)", followed in 2011 by "Boduoir".
Cinematography
Shot with an iPhone, Layla meets Lancelot is a record of the director’s daily journey to and from work. Does happiness lie in accepting repetition or in interrupting it? Everything long awaited always takes place unexpectedly.
Producer
Shot with an iPhone, Layla meets Lancelot is a record of the director’s daily journey to and from work. Does happiness lie in accepting repetition or in interrupting it? Everything long awaited always takes place unexpectedly.
Writer
Shot with an iPhone, Layla meets Lancelot is a record of the director’s daily journey to and from work. Does happiness lie in accepting repetition or in interrupting it? Everything long awaited always takes place unexpectedly.
Editor
Shot with an iPhone, Layla meets Lancelot is a record of the director’s daily journey to and from work. Does happiness lie in accepting repetition or in interrupting it? Everything long awaited always takes place unexpectedly.
Director
Shot with an iPhone, Layla meets Lancelot is a record of the director’s daily journey to and from work. Does happiness lie in accepting repetition or in interrupting it? Everything long awaited always takes place unexpectedly.
Cinematography
An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.
Music
An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.
Producer
An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.
Writer
An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.
Director
An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.
An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.
Editor
Inspired by the mythology of "Boco do Inferno" and the magical practices of Crowley and his followers in "Boudoir", a closed woman in your room performs a ritual, like all rituals, will have its consequences.
Producer
Inspired by the mythology of "Boco do Inferno" and the magical practices of Crowley and his followers in "Boudoir", a closed woman in your room performs a ritual, like all rituals, will have its consequences.
Writer
Inspired by the mythology of "Boco do Inferno" and the magical practices of Crowley and his followers in "Boudoir", a closed woman in your room performs a ritual, like all rituals, will have its consequences.
Director
Inspired by the mythology of "Boco do Inferno" and the magical practices of Crowley and his followers in "Boudoir", a closed woman in your room performs a ritual, like all rituals, will have its consequences.
Director of Photography
Director
