Isabel Aboim Inglez
약력
Portuguese filmmaker, with a PhD in Cinema/Drawing from the Politechnic University of Valencia and a degree from the Escola Superior de Teatro e Cinema ESTC (bachelor’s degree in Image, licentiate’s degree in Directing). Image (drawing, lighting, lighting design, photography, cinematography) is the basis for her training and her work, be it academic or creative, having, to date, developed work in the fields of illustration, animation, direction of photography, camera operation, stage lighting, and directing. She has been teaching the subjects of photography, audio-visual media and project at ESAD.CR since 2005.
Editor
Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.
Producer
Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.
Animation
Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.
Writer
Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.
Director
Through a stimulant intercross of techniques -which incorporates not only photography but also traditional animation and stop motion, among others- Isabel Aboim Ingles constructs a collage that is so playful as it is personal, in which she reflects on the pass of time, ages, aches and human nature.
Director of Photography
In far away Paraguay, there was a young man ... who in his heart had an empty meadow." This is the theme for a musical film in animation, where the director plays exemplary with screens, guns and money, between narrative and abstraction. Chagall, Picasso and Kandinsky hang around in a synthesis that seemed impossible, a film adapted from a book by P. Cachapa.
Director
In far away Paraguay, there was a young man ... who in his heart had an empty meadow." This is the theme for a musical film in animation, where the director plays exemplary with screens, guns and money, between narrative and abstraction. Chagall, Picasso and Kandinsky hang around in a synthesis that seemed impossible, a film adapted from a book by P. Cachapa.
Writer
Ana is a child, girl, adult, tall, fat, thin... Ana is the part of all of us that once in a while wakes up without knowing who she is. That conscious amnesia that propels us to travel, question, look without tiring even though it might not be clear who or what we might find.
Animation
Ana is a child, girl, adult, tall, fat, thin... Ana is the part of all of us that once in a while wakes up without knowing who she is. That conscious amnesia that propels us to travel, question, look without tiring even though it might not be clear who or what we might find.
Director
Ana is a child, girl, adult, tall, fat, thin... Ana is the part of all of us that once in a while wakes up without knowing who she is. That conscious amnesia that propels us to travel, question, look without tiring even though it might not be clear who or what we might find.
Director of Photography
Fernando’s friends have invited him to dinner as he has volunteered to join the peacekeeping force in Bosnia…
At the restaurant he meets a girl and they go off to enjoy the rest of the evening together. Unfortunately, that night skinheads are on the prowl in the area.
