Tomás Guiñazú

한 여자가 사라진다. 두 남자가 그녀를 찾아 길을 나선다. 둘 다 그녀를 사랑한다.

Is this film about Clorindo Testa or not? Is it about the life of the director, about the life of his father, about the life of his country, or is it just one of those biographical films that proliferate at film festivals in which the narrator spends his time recounting family anecdotes and pulling old photos out of a box? This small, microscopic adventure, whose subtitle, stolen from the Savoyard Xavier de Maistre, could well be Voyage autour de mon père, navigates between these threats and others even worse.

Is this film about Clorindo Testa or not? Is it about the life of the director, about the life of his father, about the life of his country, or is it just one of those biographical films that proliferate at film festivals in which the narrator spends his time recounting family anecdotes and pulling old photos out of a box? This small, microscopic adventure, whose subtitle, stolen from the Savoyard Xavier de Maistre, could well be Voyage autour de mon père, navigates between these threats and others even worse.

This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.

22살 여자와 23살 남자는 도시 외곽 출신이다. 여자는 마약 밀매를 하며, 남자는 주거 침입으로 감옥에 있다. 감옥 면회와 사랑, 섹스가 대도시 부에노스아이레스에 뒤섞여 있다. "개구리들"은 쇠창살 뒤 감옥 안에서 사랑을 찾는 여자에 대한 이야기이다. (제22회 전주 영화제)

22살 여자와 23살 남자는 도시 외곽 출신이다. 여자는 마약 밀매를 하며, 남자는 주거 침입으로 감옥에 있다. 감옥 면회와 사랑, 섹스가 대도시 부에노스아이레스에 뒤섞여 있다. "개구리들"은 쇠창살 뒤 감옥 안에서 사랑을 찾는 여자에 대한 이야기이다. (제22회 전주 영화제)

Every year for the holidays, a lonely man visits his night owl family, who only occasionally leaves home. After his debut with La noche, Edgardo Castro returns with a film that finds genuine moments of cinema in the confinement, the silence and the apparent daily insignificance.

Every year for the holidays, a lonely man visits his night owl family, who only occasionally leaves home. After his debut with La noche, Edgardo Castro returns with a film that finds genuine moments of cinema in the confinement, the silence and the apparent daily insignificance.

It's a Friday night in Buenos Aires and Francisco is going around the city looking for Paula. His erratic journey through the "porteño" neighborhoods gets tense due to couples arguing, soccer matches, ephemeral love affairs, technical issues and old songs.

Just like someone who takes out his dog for a walk everyday, Petriz is condemned to watch and hear every move from a woman inside a house. We don’t know why or for what reason. We’re just there, alongside Petriz, watching and hearing.

Just like someone who takes out his dog for a walk everyday, Petriz is condemned to watch and hear every move from a woman inside a house. We don’t know why or for what reason. We’re just there, alongside Petriz, watching and hearing.

Not much seems to happen in this gallery on Cabildo avenue, but when all the businesses have already closed, two girls stay inside and come up with a small vandalism project that saves their day.