Writer
Madrid, Spain, August 11, 1976; just a few months after the death of the ruthless dictator Francisco Franco. The famous vedette Susana Estrada is the first artist to perform a full nude on the stage of a cabaret. The story of a revolutionary woman and her struggle against censorship and sexual repression, nested in a society narcotized by decades of persecution and prohibitions, who had to assume the many consequences of her reckless act.
'Ellas' will go through fifty years of the history of transsexuality through the story of five women of different generations united by common moments. In the documentary, the unpublished tapes that Valeria Vegas recorded of ‘La Veneno’ to write her biography will be heard for the first time.
Producer
Manolita Chen became in the mid-eighties the first Spanish transsexual mother who managed to adopt. Through the documentary she tells us about that process, as well as her experiences as a transgressive woman at a time when Spain was not yet socially or legally advanced. We discover a life full of bitterness but without rancor in between, where she nostalgically recalls her facet as a businesswoman and vedette, gradually managing to integrate into her hometown, Arcos de la Frontera, where she currently enjoys the affection and approval of her relatives and neighbors.
Screenplay
Manolita Chen became in the mid-eighties the first Spanish transsexual mother who managed to adopt. Through the documentary she tells us about that process, as well as her experiences as a transgressive woman at a time when Spain was not yet socially or legally advanced. We discover a life full of bitterness but without rancor in between, where she nostalgically recalls her facet as a businesswoman and vedette, gradually managing to integrate into her hometown, Arcos de la Frontera, where she currently enjoys the affection and approval of her relatives and neighbors.
Director
Manolita Chen became in the mid-eighties the first Spanish transsexual mother who managed to adopt. Through the documentary she tells us about that process, as well as her experiences as a transgressive woman at a time when Spain was not yet socially or legally advanced. We discover a life full of bitterness but without rancor in between, where she nostalgically recalls her facet as a businesswoman and vedette, gradually managing to integrate into her hometown, Arcos de la Frontera, where she currently enjoys the affection and approval of her relatives and neighbors.
