Franz Rath
출생 : 1932-06-22, Eltville, Germany
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Documentary about film director and actor Bernhard Wicki.
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Ferdinand was abandoned as an infant by his parents in the forest. There he was found by a homosexual couple. Ludwig (called "Laila") and Harry adopted him. Ferdinand was strongly influenced by his adoptive parents. As a young man, he is an outsider due to his potty behavior.
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When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
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Margarethe von Trotta's TV movie focuses on a woman whose life is destroyed by her addiction to alcohol. Angela Rinser is a happy mother of two children and quite successful in her job as bilingual secretary. The sudden death of her husband changes everything. She starts drinking and loses her job. Her children Felicitas and Max try to hush up their social decline for years because they don't want to live in a foster home.
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베를린 장벽이 세워진 1961년 직후 서독으로 탈출을 결행한 동독의 젊은이들 중 서로 헤어지게 된 두 남녀의 슬픈 사랑.탈출에 실패해 동독에 잔류한 콘라드는 서독으로 넘어간 여자친구 소피와 장벽을 넘는 사랑의 "약속"을 하지만, 이약속은 28년 동안 지속된 동서독의 갈등과 대립으로 인해 지켜지지 못한다. 둘은 결국 베를린 장벽이 붕괴하던 날 감격스런 재회를 하지만 이들간의 약속은 이미 깨진 상태이며 이후의 미래 또한 불확실하다.
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The passion of Christ, based on J. S. Bach's "Johannes-Passion". Its mix of music, speech, dancing and singing re-creates the style of antique Greek tragedies.
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The adaption of Arthur Schnitzler's brilliant study of the moral illusion and reality in a small town near Vienna at the end of the century. - After the famous radio adaption by Max Ophüls in 1954.
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In the Bavarian village of Schladerbach, the kobold Hatschipuh and his comrades live, of whose existence only Grandpa Reiter is aware. When the building constructor Lederer builds himself a new mansion, the subterranean settlement of the kobolds gets destroyed, and Grandpa Reiter sees himself forced to move them into his barn. But this abode as well is soon threatened: Since the farm is no longer profitable, Father Reiter plans to sell it…
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A mother investigating her son's mysterious death finds much more than she bargained for. Casting director Alicia Browning (Remick) takes leave of her job in NYC to investigate what happened to her son Mark (Browning) in Germany. Her persistence uncovers perplexing details that lead to the discovery of some very unsettling, and dark personal memories!
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1896년 로자 룩셈부르크는 독일의 민주정부 설립과 폴란드의 혁명을 위해 투쟁하면서, 그녀의 정치적 재능을 모든 사람에게 인정받게 된다. 그러나 레오 요기헤스(다니엘 올브리쉬스키 분)와 긴밀히 협동하면서 그들의 정치적 활동은 개인적인 관계에 어려움을 가져오게 된다. 국제적 긴장감이 감돌자 로자는 전쟁과 군국주의를 비난하는 연설을 하게 되고 그녀의 사회주의자 동지들은 로자를 급진적 인사로 치부하게 된다.
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Unsuccessfully trying to close old family wounds on a trip back to the Rhode Island home of her miserable childhood, a troubled young woman finds her new friendship with a neighbor has her stuck in another family drama.
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The third episodical film, after Deutschland im Herbst and Der Kandidat, in which notable German film makers reflect on the state of their country.
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A woman suffering from terminal cancer determines to resolve several relationships in her life, especially with her daughter.
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Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.
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Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, takes pills, and keeps a diary. When Maria's relationship with Maurice, the son of her boss, starts to lead to love, Anna takes a selfish and drastic step that plummets Maria into solitude. No longer able to connect with Maurice, Maria does establish a relationship with Miriam, a typist at her office who becomes a surrogate younger sister. But Maria is intrusive as well as helpful. Can this or any relationship work out for this talented woman whose past seems to choke her soul?
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Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.
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Television film.
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An intriguing Hans Christian Anderson-style fairy tale aesthetic and voice over narration. Sudden Wealth is a despairing chronicle of a group of starving peasants who finally seize governmental wealth like a dysfunctional group of Robin Hood's Merry Men, only to be betrayed by their inescapable selves and systematically dehumanized (think bucolic Orwell) and reprogrammed by what we'll put under the rubric of God and Country.
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When a young woman accidentally kills her ex-lover during a fight, she decides to conceal the body. Unfortunately, however, our anti-hero is less than honorable and becomes involved with not one but both of the men she finds to help her with his disposal at a construction site. And that's just one of the problems this little case of murder and deception starts.
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At an Austrian boys' boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil's acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics' Prize for first-time director Volker Schlöndorff.