Luis Vázquez

참여 작품

Droplet, Please
Animation
Ponkina likes to waste water. One day there is no more and she ventures to ask the clouds for help, but she only gets ridiculed.
Droplet, Please
Producer
Ponkina likes to waste water. One day there is no more and she ventures to ask the clouds for help, but she only gets ridiculed.
Ponkina
Producer
Ponkina is a little girl. One morning she leaves her home to take a walk in the forest. She is met with a surprise hiding in a bush: a cat.
The Crime of Cuenca
Production Assistant
Osa de la Vega, Cuenca, Spain, 1913. Gregorio and León, employees on the estate of the village's mayor, a powerful landowner, are arrested and accused of the murder of José María el Cepa, a shepherd who mysteriously disappeared three years earlier.
The Anchorite
Production Assistant
Eleven years ago Fernando Tobajas, a man of a certain age, decided to live in the bathroom, in which he created a small apartment, and never leaves it. Tobajas has given up everything except vanity, and his contacts with the world are reduced to visits from friends and messages sent through the toilet inside aspirin tubes in the hope that someone will receive them and know about his existence. Arabel Lee, a beautiful girl, finds one of those messages.
In the Eye of the Hurricane
Production Assistant
Ruth and Michel separate after Ruth finds another man, Paul. Ruth and Paul go to her sunny, idyllic beach side villa to spend summer. They are having a great time together, and then things start happening. The brakes of the car fail, and Ruth narrowly escapes death. The driving equipment goes faulty, and Ruth almost drowns. Michel turns up at their doorstep for an uninvited social call, and Paul asks him in. Ruth suspects Michel of being the person behind the mechanical faults of the car and the diving equipment, but Paul dismisses such a possibility - but he does suggest it to Michel. Then, the heat does go up.
Furnished Studio 2.P.
Production Assistant
Two bank employees use a computer to determine the girls for their sexual affairs in their newly hired flat.
The Mercenary
Art Direction
While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.