Director
군인 형상을 한 네 개의 인형이 사뮈엘 베케트의 「쿼드 Quad」(1981)에서 따온 움직임으로 걷는다. 들뢰즈의 「쿼드」에 관한 분석 『소진된 인간』(1995)을 시각적으로 재해석한 이 영화는 스톱모션 애니메이션을 통해 ‘가능성의 소진’을 탐구한다. 인형들, 그리고 인쇄된 인형들의 이미지는 천천히 붕괴되고, 반복의 잔여물로서 새로운 가능성을 상상한다.
Director
A walk in the woods, an encounter with an animal, a body of water. On the soundtrack, a woman’s voice responds to an internet personality quiz, while grainy, inkjet printouts—animated and collaged by the filmmaker—approximate the imagined scenes. Distortions in the reproduction of word and picture accompany the blur of memory and fantasy, past experience and desire.
Animation
The audience encounters a report in blue pages discussing the death of wild birds caused by collisions with transparent soundproof walls. Two hands appear to turn the pages, cut the paper, move the objects and paint, following the text from the report. While birds fly towards a transparent wall, what is the audience colliding with?
Director of Photography
The audience encounters a report in blue pages discussing the death of wild birds caused by collisions with transparent soundproof walls. Two hands appear to turn the pages, cut the paper, move the objects and paint, following the text from the report. While birds fly towards a transparent wall, what is the audience colliding with?
Director
A physical space in a film is always frozen within a small fragment of time - a frame. The artist dynamically explores each space as the frames become combined, transformed, rearranged, and repeated.
