Mónica Galán

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

Abril tries to find meaning in her own life. In the process, her perception changes; her skin transforms to the point of becoming a new one.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.

엘로이는 죽마를 타고, 파이 모형을 쓰며 광고를 하는 게 직업이다. 아버지가 돌아가신 이후로 밤에 혼자 돌아다니는 몽유병을 앓게 된 엘로이는 형이 밤에 매달아 놓은 냄비들로 계단 밑으로 못 내려가게 되자, 이웃집 옥상을 넘나들게 된다. 그러던 어느 날, 천창을 열어 놓은 엘비라의 침대 위로 발을 헛디뎌 떨어지게 되고, 할머니의 집에 휴가차 놀러 온 엘비라와 만나게 된다. 엘로이의 사연을 듣게 된 엘비라는 사람들이 어루만져 주지 못하는 아픔으로 고통스러워하는 그를 색다른 방식으로 치료해 주는데...

A methodical man falls for a pregnant woman with a very particular life story.

Argentinian sisters Elena and Natalia, who were separated, meet again in Texas in 1984.

A woman reunites with her husband, who vanished on her years ago.

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.

After the May Revolution, Juan José Castelli has instructions to order the execution of ex-viceroy Santiago de Liniers. That put you at a crossroads with respect to your convictions.

Three stories located in the decade of the 60 in the city of Santa Fe, Argentina. Juan José Saer paints typical characters of a city counties and depicts a time of political and cultural effervescence.

Estela Canto and Jorge Luis Borges meet in 1944. She is an intelligent and beautiful woman. He, still an unknown writer, is shy and very attached to his mother. They fall in love, or at least Borges does.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a "web camera" which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence. He is a lonely man who lives with his dog and his computer. Rosalía finds she has some extra-sensory powers and thinks three young women she knows are fairies. They will remarkably influence her life. She also feels the need to meet her father, whom she has not seen since she was 8.

Argentina: 1969: Major Molina has been sent to a military outpost in southern Patagonia to investigate the brutal murder of soldier Lito. The harsh weather conditions of Patagonia reflect the strict and cruel way in which the Colonel Hellman and his officers direct the garrison. Gradually comes to light that Lito was drugged by a fellow, Reppeto, and therefore was unable to participate in an unexpected military exercise at night. For his "disobedience", Lito was beaten to death. Molina seeks justice, aided by the deceased's family and the village priest. However, he is forced to abandon the case when the military forces take the power in Buenos Aires. Years later, with democracy finally restored in Argentina, the case will be reopened causing the abolition of military service and the military justice system.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

A lonely film projectionist through a series of odd events, discovers that he is the reincarnation of one of the inventors of cinema, and that a woman he sees in his dreams is his eternal companion on a trip through centuries.

A woman and a man known through a radio program dedicated to unite in their lone pairs listeners.

아르헨티나의 젊은 시인 올리베리오(Oliverio: 다리오 그란디네티 분)는 삶과 죽음, 그리고 여자와 복잡하게 얽힌 삶 속에서 시를 쓰며, 보헤미아적인 나날을 살아가는 오늘의 젊은이다. 시를 쓰는 것만으로는 생활이 어려운 그는 가끔 떠오르는 아이디어를 광고회사에 팔고는 하지만, 그렇게 들어온 돈은 곧 또 창녀에게로 간다. 올리베리오는 사랑의 환희로 허공에 떠올라, 함께 나르는 여자를 찾아 평생을 살아왔다고 해도 과언이 아니다. 그러던 그가 부에노스 아이레스를 떠나, 몬테비데오에 갔을때, 우연히 한 창녀를 만난다. 안나(Ana: 산드라 발레스테로스 분)라는 이름의 그 창녀는, 올리베리오를 안은채 하늘을 나를 수 있는 여자였다. 그러나, 여지껏 그가 여자들을 날지 못한다는 이유로 버렸듯, 이번에는 안나가 올리베리오를 버린다. 올리베리오가 아무리 발버둥을 쳐도, 안나는 눈하나 깜짝하지 않는다. 마침내, 안나는 올리베리오를 뒤에 남긴 채 떠나버린다.

In this suspense story, the main character, Johann Neudorff (Gotz George), immigrated to Argentina from Germany after World War Two, and has become a successful businessman there. He is unconcerned with the nature of the government there, which at the time of this film (1978) is a military dictatorship. His comfortable existence is disrupted when he discovers that his beloved daughter Laura (Emilia Mazer) has become the lover of a political activist (Miguel Angel Sola) who is on the military's hit list. When his daughter is kidnapped, Johann attempts to use his government connections to free both her and her lover. However, his son Alfredo (Alex Benn) undermines his efforts, and Johann himself is incarcerated in a military prison, but not before he discovers that his daughter and her lover are both dead, killed by the regime.

A single pregnant teenager goes to live with her uncle, a mediocre entertainer in a seedy cabaret.

Historical film that focuses on political and social events took place in Argentina during the beginning of the 30s. Santafecino Deputy Lisandro de la Torre complaint in Congress Argentine meat business with England.

Silvia is incarcerated in a corrupt women prison and forced to participate in drug distribution. When she refuses she is punished and her sister murdered. She will try to get free and get her revenge.

Mendizábal, a hit man, its ordered by his anonymous clients to murder a man. But in the precise and obsessive persecution, he will discover that he is only part of a game that doesn't belong to him, a web at the service of greater interests.

A sexually-repressed girl of the Buenos Aires slums slowly goes mad after marrying.