Director
On March 2, 1955, like every day, Claudette Colvin, a 15-year-old black girl from Alabama, bought her ticket at the front of the bus, but had to get on the back. If the front is reserved for White, when they have no more room, Black must give up theirs, to the rear. It's the law. But that day, the teenager refuses to give way to a White. Claudette Colvin says no. Arrested, she pleaded not guilty and sued the city, a first. However, we will not make an example of it. We will wait for Rosa Parks, a lighter-skinned seamstress, who, nine months after Claudette, will make the same gesture, soon supported by the young Martin Luther King. History is on the move. Claudette Colvin allowed everything, but she is the one we have forgotten.
Writer
On March 2, 1955, like every day, Claudette Colvin, a 15-year-old black girl from Alabama, bought her ticket at the front of the bus, but had to get on the back. If the front is reserved for White, when they have no more room, Black must give up theirs, to the rear. It's the law. But that day, the teenager refuses to give way to a White. Claudette Colvin says no. Arrested, she pleaded not guilty and sued the city, a first. However, we will not make an example of it. We will wait for Rosa Parks, a lighter-skinned seamstress, who, nine months after Claudette, will make the same gesture, soon supported by the young Martin Luther King. History is on the move. Claudette Colvin allowed everything, but she is the one we have forgotten.
On March 2, 1955, like every day, Claudette Colvin, a 15-year-old black girl from Alabama, bought her ticket at the front of the bus, but had to get on the back. If the front is reserved for White, when they have no more room, Black must give up theirs, to the rear. It's the law. But that day, the teenager refuses to give way to a White. Claudette Colvin says no. Arrested, she pleaded not guilty and sued the city, a first. However, we will not make an example of it. We will wait for Rosa Parks, a lighter-skinned seamstress, who, nine months after Claudette, will make the same gesture, soon supported by the young Martin Luther King. History is on the move. Claudette Colvin allowed everything, but she is the one we have forgotten.
Country Woman
사랑에 목마른 중년 여성의 절실한 짝 찾기. 이자벨은 이혼 후 진실한 사랑을 찾고자 하지만 그녀의 주변에는 그녀를 이용해먹는 유부남이나 너무도 다른 환경의 남자들뿐이다. 줄리엣 비노쉬의 존재감과 감칠맛 나는 대사가 돋보이는 수작으로 칸영화제 감독주간 개막작이다. (2017년 제22회 부산국제영화제)
Screenplay
