Producer
The film follows the trajectory of Naikee, a black transwoman activist, in her quest for identity and freedom. In addition to revisiting key elements of Naikee’s journey, the film aims to question the overwhelming heteronormative standards of a society too binary to erect an ode to diversity. By re-interpreting Boticceli’s painting The Birth of Venus, Naikee asserts her right to exist differently.
Producer
Jeanne, 8 years old, is a little girl with a strong character. Her mother, on the other hand, is going through a depression; she decides to get some help and has to send her daughter to spend the Christmas holidays at her Granny Onion’s house. Jeanne leaves dragging her feet: in the country, there is nothing to do, and Granny’s house stinks of onions! Yet, against all expectations, the holidays turn out to be a real adventure.
Co-Producer
사람들은 40세의 ‘클라라’가 신과 특별한 연결고리를 맺고 있다고 믿는다. 클라라는 ‘치유자’로서 마을과 가족을 지탱하는 한편, 자연 속에서 위안을 찾는다. 어머니의 억압적인 보호 아래 수년간 통제당하며 살아온 그녀는 조카의 새로운 남자친구에게 이끌리며 성적 욕망에 흔들린다. 새로 깨어난 이 힘은 클라라를 미지의 영역으로 이끌고, 신체와 정신의 경계를 넘나들게 만든다. 클라라는 스스로 발견한 힘을 통해 성녀(Saint) 역할에서 점차 벗어나 자신을 치유하기 시작한다.
Producer
In the French countryside, the lovely Doom’s Hamlet is the stage of singular slices of life. It is there that Jane is sent to her grandmother Granny Onion’s, while her mother Cécile needs time to take care of her depression. It is also there, in the forest, that lives Cloclo, the giant musician bum who has taken Jane under his wing. It’s also the place that Granny Onions finally leaves, but for good this time. In each of these stories, our characters are shaken by the weather of life, with all its hardship, but also its beauty, festivity and poetry. With its heavy rains and sunny spells. Three exquisite stories to spark joy.