Miguel J. Crespo

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.

Two mountaineers undertake a clandestine expedition to Popocatépetl, one of the most active and dangerous volcanoes on the planet. Faced with the inability to predict explosions, which occur very frequently, surviving or not is a matter of chance. Along the way, the mystique of the landscape manifests itself strongly in these forbidden badlands, and the mountain, the closest point to heaven and divinity, is at the same time, the only window towards the core of the earth.

Lukas Avendaño is the most important artist of the Muxe community. Poetry, dance and anthropology are the tools they use to enunciate and express themself. Since May 10, 2018, their brother Bruno mysteriously disappeared in Tehuantepec, Oaxaca. In Mexico, Bruno is one of 40 thousand missing persons. For Lukas, the search for Bruno has become their greatest utopia.

Lukas Avendaño is the most important artist of the Muxe community. Poetry, dance and anthropology are the tools they use to enunciate and express themself. Since May 10, 2018, their brother Bruno mysteriously disappeared in Tehuantepec, Oaxaca. In Mexico, Bruno is one of 40 thousand missing persons. For Lukas, the search for Bruno has become their greatest utopia.

Lukas Avendaño is the most important artist of the Muxe community. Poetry, dance and anthropology are the tools they use to enunciate and express themself. Since May 10, 2018, their brother Bruno mysteriously disappeared in Tehuantepec, Oaxaca. In Mexico, Bruno is one of 40 thousand missing persons. For Lukas, the search for Bruno has become their greatest utopia.

Lukas Avendaño is the most important artist of the Muxe community. Poetry, dance and anthropology are the tools they use to enunciate and express themself. Since May 10, 2018, their brother Bruno mysteriously disappeared in Tehuantepec, Oaxaca. In Mexico, Bruno is one of 40 thousand missing persons. For Lukas, the search for Bruno has become their greatest utopia.