Ailín Ó Dálaigh
출생 : , Dallas, Texas, USA
약력
Ailín Ó Dálaigh is a Texan-Canadian filmmaker, photographer, and musician located in Victoria, BC. Primarily working in experimental and documentary film, the aesthetics of Soviet film during the 1920s and 1930s inform the style of his photography and filmmaking. His work is nearly all film-based and utilizes 8mm/Super 8mm/16mm and 35mm for photography.
Narrator (voice)
Composed of original footage and re-filmed found footage, Oneirologue is a remembrance of a dream that occured in June 2020. It is an experimental short that presents the impression of a mind plagued by cinematic images and subconscious impulses.
Sound Designer
Composed of original footage and re-filmed found footage, Oneirologue is a remembrance of a dream that occured in June 2020. It is an experimental short that presents the impression of a mind plagued by cinematic images and subconscious impulses.
Camera Operator
Composed of original footage and re-filmed found footage, Oneirologue is a remembrance of a dream that occured in June 2020. It is an experimental short that presents the impression of a mind plagued by cinematic images and subconscious impulses.
Editor
Composed of original footage and re-filmed found footage, Oneirologue is a remembrance of a dream that occured in June 2020. It is an experimental short that presents the impression of a mind plagued by cinematic images and subconscious impulses.
Director
Composed of original footage and re-filmed found footage, Oneirologue is a remembrance of a dream that occured in June 2020. It is an experimental short that presents the impression of a mind plagued by cinematic images and subconscious impulses.
Sound Editor
PC-4L follows a powerviolence band’s ritual of drinking Four Loko during practice. It originated with Victoria filmmaker Ailín Ó Dálaigh and was shot on Super 8mm film in one day on a visit to Dallas, TX with filmmaker Dariel Hernandez.
Editor
PC-4L follows a powerviolence band’s ritual of drinking Four Loko during practice. It originated with Victoria filmmaker Ailín Ó Dálaigh and was shot on Super 8mm film in one day on a visit to Dallas, TX with filmmaker Dariel Hernandez.
Camera Operator
PC-4L follows a powerviolence band’s ritual of drinking Four Loko during practice. It originated with Victoria filmmaker Ailín Ó Dálaigh and was shot on Super 8mm film in one day on a visit to Dallas, TX with filmmaker Dariel Hernandez.
Director
PC-4L follows a powerviolence band’s ritual of drinking Four Loko during practice. It originated with Victoria filmmaker Ailín Ó Dálaigh and was shot on Super 8mm film in one day on a visit to Dallas, TX with filmmaker Dariel Hernandez.
Camera Operator
An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
Editor
An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
Director
An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
Editor
A documentary in réalité style harkening back to the early years of cinema. Composed of scenes around Victoria, BC during February 2019.
Camera Operator
A documentary in réalité style harkening back to the early years of cinema. Composed of scenes around Victoria, BC during February 2019.
Director
A documentary in réalité style harkening back to the early years of cinema. Composed of scenes around Victoria, BC during February 2019.
Camera Operator
The Still Image and the Labour Process: An Agitka is an experimental short film made in the style of a silent Soviet agitational-propaganda short (agitka). In proper Soviet, or perhaps Vertovian, fashion, it argues through intertitles and montage that the cinema is a weapon for destroying the commodifying effects of still photography.
Editor
The Still Image and the Labour Process: An Agitka is an experimental short film made in the style of a silent Soviet agitational-propaganda short (agitka). In proper Soviet, or perhaps Vertovian, fashion, it argues through intertitles and montage that the cinema is a weapon for destroying the commodifying effects of still photography.
Director
The Still Image and the Labour Process: An Agitka is an experimental short film made in the style of a silent Soviet agitational-propaganda short (agitka). In proper Soviet, or perhaps Vertovian, fashion, it argues through intertitles and montage that the cinema is a weapon for destroying the commodifying effects of still photography.
Editor
Grindcore Vacation melds the expository documentary, diary film, and live performance footage to produce a portrait of the musicians who play grindcore, an extreme sub-genre of punk/metal characterized by high speed and full volume. Shot during a weekend trip from Victoria BC to Dallas TX for a single DIY concert, it interviews members of Deterioration, Cognizant, and Imperial Slaughter. Live concert footage combines with interviews and Super 8mm film to create an impression of the people who play grindcore, why they love the genre, and their experiences as practitioners of the niche style.
Camera Operator
Grindcore Vacation melds the expository documentary, diary film, and live performance footage to produce a portrait of the musicians who play grindcore, an extreme sub-genre of punk/metal characterized by high speed and full volume. Shot during a weekend trip from Victoria BC to Dallas TX for a single DIY concert, it interviews members of Deterioration, Cognizant, and Imperial Slaughter. Live concert footage combines with interviews and Super 8mm film to create an impression of the people who play grindcore, why they love the genre, and their experiences as practitioners of the niche style.
Director
Grindcore Vacation melds the expository documentary, diary film, and live performance footage to produce a portrait of the musicians who play grindcore, an extreme sub-genre of punk/metal characterized by high speed and full volume. Shot during a weekend trip from Victoria BC to Dallas TX for a single DIY concert, it interviews members of Deterioration, Cognizant, and Imperial Slaughter. Live concert footage combines with interviews and Super 8mm film to create an impression of the people who play grindcore, why they love the genre, and their experiences as practitioners of the niche style.
