Eva Ingeborg Scholz
출생 : 1928-02-16, Berlin, Germany
사망 : 2022-03-21
약력
Eva Ingeborg Scholz made her debut in the title role of the 1948 film 1-2-3 Corona and appeared regularly in films over the following decade, including a performance as a young lodger in Peter Lorre's only directorial effort The Lost One (1951) and a supporting role in The Devil's General (1955) with Curd Jürgens. Among her later films are the Disney production Emil and the Detectives (1964), in which she played the mother of the title character, and Rainer Werner Fassbinder's The American Soldier (1970).
From the early 1960s she appeared increasingly in television, where she remained active until the age of 90 years in 2018. She appeared in popular television productions like Tatort, Derrick, The Old Fox and Stuttgart Homicide. In 2018, she won the Deutscher Schauspielpreis (German Actors Award) for her supporting role in the Tatort episode Die Liebe, ein seltsames Spiel (2017).
Frau Eisenhofer
The Hartmann family is turned upside down when mother Angelika decides to take in the refugee Diallo, against her husband's will. Amidst the typical chaos of our time, hope remains that the family finds its stability, confidence and peace again - just like the whole country.
Gräfin Josefine
Summer of 1944. Young baroness Barbara is getting married. Her husband, Alexander, leaves to the war and disappears after giving Barbara the amber amulet as symbol of their love. Soviet soldiers, commanded by Major Belyaev are placed in the estate of Barbara parents. Barbara falls in love with a Russian officer.
Annettes Mutter
Mary
Victoria 'Vicky'
Frau Sommer
Nachbarin
Winifred
Gudrun Moormann
Hella is around 30 and works in a pharmacy. She is waiting for the right man to step into her life, but as she has a certain affinity for losers, she is kind of disillusionized. When she gets to know Levin, a dentist student who likes cars most, her dreams seem to come true. Levin has a very rich grandfather who likes her at first glance. The old man thinks of changing his last will to the condition that Levin has to marry Hella in order to inherit his fortunes. Like in a fairy-tale the door to a new life opens for Hella, but can she take it?
Zweite Dame
Zigeuner is on the hunt for the woman of his dreams, a woman who should also play the main role in the film. Meanwhile, ruthless producer Oskar Reiter wants to buy the film rights at all costs - and he is struggling for the love of the beautiful Valerie.
Ingrid
Tante Maria
Frau Fehse
Frau Lentz
독일에 주둔하고 있던 미군 장교 샌디 (리차드 토마스)는 갑자기 장벽이 설치되면서 동 베를린에있는 사랑하는 연인 일세 (유트 크리스텐슨)와 헤어진다. 그는 일세를 서 베를린으로 데려 오기 위해 땅굴을 파는 계획을 세우면서 같이 할 사람을 모은다. 이후에 서 베를린의 가족을 그리워하는 대학교 수 에머리히 (홀스트 부크 홀 츠), 부모를두고 서 베를린으로 온 대학생 야힘 (자크 브라 이어), 서 베를린으로 탈출하다가 부상당한 약혼녀를두고 온 조그 (니콜라스 파렐), 그리고 늙은 화가 코 만 스키 (호세 페라) 등의 남자들이 모여 땅굴을 파기시 작한다. 장벽 아래를 뚫는 대역사, 이들은 온갖 역경을 헤치고 오직 사랑하는 사람들을 만난다는 일념 하나만으로 마 침내 터널을 뚫는데 성공하지만, 서 베를린에있는가 족과 연인을 찾고 모으는 과정은 아슬 아슬한 첩보전을 방불케하고, 때마침 쏟아지는 폭우로 인해 터널이 파 괴되는 와중에 숨막히는 탈출을 시도하는 엔딩은 손에 땀을 쥐게한다. 과연 이들은 모두 탈출에 성공할 수 있 을까
Syvia Bennett
Clara Sesenau
Picolette
Fräulein Andersen
Joan Cadwell
Ricky's Mother
독일 태생의 미국인 청부살인업자 리키는 뮌헨 경찰로부터 사건처리를 부탁받는다. 할리우드 장르영화의 영향을 받은 이 작품은 "사랑은 죽음보다 차갑다", "저주의 신들"에 이은 갱스터 영화 3부작의 완결판이다.
Hotel manageress
Kundin
Leni Hillmann
Frau Tischbein
When Emil travels by bus to Berlin to visit his grandmother and his cousin, his money is stolen by a crook who specializes in digging tunnels. Emil must get the money back as it is for his grandmother. While following the thief, Emil runs into Gustav, an enterprising young boy who gathers up all his friends to help Emil find the money. Emil's cousin also gets involved and they get into more trouble than they bargained for when Emil's pickpocket turns out to be mixed up with a couple of notorious bank robbers.
Frau Elvsted
Mary Wenner
Several employees on a nobleman's estate show up at a former abbey, reputed to be haunted, to search for a hidden treasure. Howver, a mysterious hooded figure begins killing off those who may have figured out where the treasure is hidden.
Barbara
Frau Obermüller
Inge Hentschel
Renate Brenten
Katrin Rössle
Hildur Lindgren
Beautiful young Helga gets publicly shamed because a rich land owner seduced and impregnated her but refuses to take responsibility in a story of love and death in Sweden.
Hanna Helmke, Oberführerin
During WWII The German 'Wehrmacht' is heavily under fire after the invasion of Normandy. There are also a lot of women participating in the war, working at the front line as couriers for the air force. In this war, everyday, they put their lives on the line.
Dr. Inge Rochter
Inge Römer
An industrialist's wife was killed and now her lover is accused of murder.
Käthe Forbach
Eva Berger
The film is based on a true story, concerning a series of robberies on the highways of Germany. At the time of the actual events, there was a controversy over whether or not highway patrolmen should be given permission to use firearms against perpetrators.
Winter 1942: Like thousands of other German soldiers, Asch and Vierbein have ended up at the Eastern front. Although Vierbein finds a new friend in Kowalski, the squadron commander captain Witterer, a true army veteran, gives them a really hard time. Witterer’s pointless orders reflect the bad habits of many former superiors. And again, Vierbein has to bear the brunt.
Madeleine
Waltraut 'Pützchen' Mohrungen
Curt Jurgens stars as a courageous Luftwaffe officer. Jurgens loves the service, even though he barely tolerates the Hitler regime. Sickened by wartime Nazi atrocities, Jurgens renounces his government, and is imprisoned and tortured as a result. Once released, the general takes pity on a downtrodden Jewish family. This isolated act of kindness is a point in his favor when Jurgens stands before Satan himself for his final judgment. The Devil's General was based on an immensely successful postwar play by German author Carl Zuckmeyer.
Christl Lauer
Elisabeth Asch-Freitag
Life in the barracks, drill, harassment, and private Asch′s pranks are the ingredients of Hans Hellmut Kirst′s successful novel "08/15" (the number of an Army regulation). Shortly before the outbreak of World War II: Private Asch and gunner Vierbein belong to the same unit but could not be more contrary. The instructors use every opportunity to bully the clumsy Vierbein with erratic corporal Platzek leading the way. The harassment starts with minor extra duties but soon the methods become more and more brutal. Finally, Asch comes to Vierbein′s help and takes on his superiors. Joachim Fuchsberger stars in his first major role.
Klärchen Gunderloch
Ida
Elsa Menzler
Smuggler's Ball is the English-language title for this French-Belgian seriocomedy. The action takes place along the borders separating Belgium, Holland and France. It is here that the worldly Pierre (J. P. Kieran) carries on a profitable smuggling operation, all the while romancing Siska (Christian Lenier), the daughter of a local customs official. Various subplots and secondary characters weave in and out as the plotline guides the viewer through the WW II years. Towards the end, the story shifts gears when the Benelux Frontier Agreement eliminates all government regulations. The film's screenplay is by Charles Spaak, himself the descendant of a Belgian political family, and thus well-versed in bureaucracy and red tape.
Ursula Weber
A German scientist murders his fiancée during World War II when he learns that she has been selling the results of his secret research to the enemy.
Gisela Düren, eine junge Studentin
Regine Wülfing
Regine
Johanna
Corona
Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.
