Inés Efrón

Mikel is a Basque who hates "what is Basque" and decides to emigrate to Argentina, with the misfortune that he arrives in a community of Basque descendants from the interior of the country who live the traditions of their ancestors with great passion and who organize life in around his Basque club.

이 동네의 아이들은 조용하고 침착하다. 그런데 이 같은 평화 뒤에는 공포스러운 롱레그 전설이 자리하고 있다. 이 전설 덕분에 아이들은 집 밖에서 노닥거리는 일이 거의 없다. 그런데 부모들은 롱레그를 그저 실용적인 설화 정도로 보지만… 정말 그럴까? 롱레그가 실존하는 것은 아닐까?

Theo tries to reunite with his family. He rearranges his apartment and leaves everything ready for the return of his mother, who will be free again.

Six twenty-something friends are spending New Year's Eve at a summer house at the river. The host, Nicolas (writer and director Martin Piroyansky, XXY), brings his ex-girlfriend Pilar (Inés Efron, Empty Nest, XXY) with whom he just had a one-night stand. But, Nicolas hits on every other girl including the brooding Cata (Vera Spinetta) and the voluptuous Belén (Justina Bustos). When Nicolas unexpectedly falls into bed and then into love with the high-strung Manuela (Violeta Urtizberea) who also happens to be his best friend's girlfriend, the last laugh is on him.

Damián, Facundo, Luciano and Marcelo have been friends since childhood and they share the passion for classic rock and roll on vinyl records. Their relationship is also marked by other big subjects: friendship and girls. When one of them decides to get married the four lives stir up.

In 1976, a coup d'etat by the Armed Forces replaced the argentine constitutional Government and policies of terror that trampled on human rights were implemented. In a few years, the hidden and silent violence of these policies spiraled and 30,000 citizens of different ages and social conditions were murdered. They were wrongly called the disappeared and, among them, there were young children or unborn young who were delivered in prisons of the military dictatorship and whose kidnappers abducted and registered as their own children. This movie tells the story of Estela Barnes Carlotto, a human rights activist in Argentina, chairwoman of the Association of Grandmothers of the Plaza de Mayo, who stopped being a housewife to get involved in public affairs after the kidnap of her daughter, Laura Estela Carlotto in 1977. The film is about the way her life was transformed.

In a small town near the mountains of Argentina, Juana tries to commit suicide but ends up in a coma instead, to the great pain of her daughter Marta. Her other daughter Mercedes comes from Buenos Aires but is less interested in her mother's condition than in possibly getting her money. Marta's husband has a great offer for a piece of land owned by Juana, but can't do anything while she is in a coma.

산타 페 1105번지4층, H호 외부와의 접촉을 최소화한 채 컴퓨터로 모든 생활을 해결하는 웹 디자이너 마틴. 오늘도 그의 곁을 지키는 건 7년 전 헤어진 여자친구의 강아지 수수 뿐이다. 마틴에게 온라인 채팅은 일상처럼 익숙하지만, 낯선 이와의 데이트는 어색하고 불편하기만 하다. 산타 페 1183번지8층, G호 도시의 쇼윈도를 디자인하는 디스플레이어 마리아나. 힘겨웠던 4년 간의 연애를 끝내고 집에 돌아왔지만 그녀를 반기는 건 묵묵부답의 마네킹 뿐이다. 이별 후의 밤이 유독 힘겨운 마리아나는 오늘도 이 도시 어딘가에 있을 운명의 상대를 상상한다. 갑작스런 정전으로 모든 게 멈춰버린 밤, 집 밖으로 나선 마틴과 마리아나. 가까이 있으면서도 서로의 존재를 모르던 그들은 과연 사랑을 이룰 수 있을까?

Random Stangers “Another World” explores contemporary online relationships with a strongly cinematic language. The film portrays a new generation for whom Twitter, Facebook, MySpace, Skype, and the whole idea of creating your own online persona have played a crucial role in the development of their social skills since their early teenage years.

A romantic comedy about a neurotic girl who makes a vow of solitude after getting dumped.

부에노스아이레스 근교의 부유한 동네에 살고 있는 라라는 집에서 가정부로 일하는 스무 살의 파라과이 출신 구아이와 사랑에 빠진다. 하지만 호수 포아에서 재결합을 꿈꾸던 사랑의 탈출이 실패로 돌아가고, 구아이는 부에노스아이레스 변두리의 미성년자 보호소에 감금된다. 자신들이 동의할 수 없는 세상에서 살아가야 하는 젊은 세대의 불안과 자신의 길을 찾아가려는 여정이 피와 폭력적인 섹스, 복수와 모험이 얽혀 들면서 펼쳐진다

남부럽지 않은 직업과 부를 가진 베로니카. 홀로 차를 몰아 시골길을 달리던 베로니카가 갑자기 울린 휴대 전화를 집으려 고개를 숙인 사이 끔찍한 소리와 함께 차가 무언가를 치받고 만다. 한동안 멈춰 선 베로니카는 차에서 내리지도, 뒤를 돌아보지도 않은 채 다시 시동을 건다. 베로니카는 일상으로 돌아가려 하지만, 사람을 치어 죽였을지도 모른다는 죄의식과 불안은 그녀를 옥죄고, 그녀의 정신과 일상은 서서히 무너져 내린다.

Empty Nest tells the story of a couple who have to struggle to find themselves after their children grow up and move out. It starts out as a fairly simple story of a couple but becomes complicated by a series of events that may or may not be occurring only in Leonardo’s mind.

A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.

Can you walk around completely unnoticed for a day?

의학적 호기심으로부터 알렉스를 보호하기 위해 아르헨티나를 떠나 우루과이의 외딴 어촌마을로 들어온 알렉스의 부모는 딸로 키워온 알렉스가 사춘기에 이르자 아이의 미래를 결정해야 되는 고민에 빠지게 된다. 그리고 성형외과 의사인 친구 부부와 그들의 아들, 알바로가 알렉스의 수술검토를 위해 이 가족을 방문하게 된다. 알렉스는 어느 한 성의 선택을 강요받는 분위기 속에서 압박감을 느끼고, 알바로와의 섹스를 시도한다. 부모들은 부모들대로 자식의 이익을 위해 최선을 다하려 하지만 무엇이 최선인지를 알 수 없다. 한편 아이들도 아이들 나름대로 자신의 정체성을 찾고 스스로를 보호하기 위해 혼란의 과정을 겪는다.

An uninterrupted shots, at the end of a swimming lesson where students can do whatever they want.

Lasting tradition clashes with new ideas in director Ariel Winograd's tale of a mischievous pre-adolescent whose family spends their summers basking in the comfortable surroundings of a picturesque Jewish country club. Ariel is a young boy whose family enjoys the high life. When summer rolls around his mother leads an Israeli dance class at the local Jewish country club, and his grandmother seems to have a special knack for always winning at rummy. His sister Natalia is rarely seen without roller skates lest she need to beat a hasty retreat from her overbearing suitor, and his brother David's hormones are raging like a white squall. As Ariel and his friends hop on their bikes and explore the grounds of the country club it feels as if life simply couldn't get any better, but sometimes life in this highly exclusive paradise isn't all it's cracked up to be.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

A teenage summer in a small town in the desert, a dysfunctional family, a rock band, a can full of glue, two boys, one girl, loads of tongue kisses, dry heat, wind in Patagonia, existential angst... A teenage story in the middle of nowhere.