Producer
An enormous Steinway & Sons piano dominates a cramped and untidy apartment in Buenos Aires, belonging to the 91-year-old twin sisters Isabel and Amelia Cavallini. Once they formed a celebrated piano duo with a blossoming career in the United States. Just as the instrument is actually a little too big for their modest residence, the sisters’ personalities no longer seem to fit their now fragile bodies. In this final part of her trilogy on old age and art (preceded by Las cinéphilas and Le temps perdu), María Alvarez follows these elderly ladies as they shuffle along the path of their memories, which surround them in every corner of their house.
Director of Photography
An enormous Steinway & Sons piano dominates a cramped and untidy apartment in Buenos Aires, belonging to the 91-year-old twin sisters Isabel and Amelia Cavallini. Once they formed a celebrated piano duo with a blossoming career in the United States. Just as the instrument is actually a little too big for their modest residence, the sisters’ personalities no longer seem to fit their now fragile bodies. In this final part of her trilogy on old age and art (preceded by Las cinéphilas and Le temps perdu), María Alvarez follows these elderly ladies as they shuffle along the path of their memories, which surround them in every corner of their house.
Editor
An enormous Steinway & Sons piano dominates a cramped and untidy apartment in Buenos Aires, belonging to the 91-year-old twin sisters Isabel and Amelia Cavallini. Once they formed a celebrated piano duo with a blossoming career in the United States. Just as the instrument is actually a little too big for their modest residence, the sisters’ personalities no longer seem to fit their now fragile bodies. In this final part of her trilogy on old age and art (preceded by Las cinéphilas and Le temps perdu), María Alvarez follows these elderly ladies as they shuffle along the path of their memories, which surround them in every corner of their house.
Writer
An enormous Steinway & Sons piano dominates a cramped and untidy apartment in Buenos Aires, belonging to the 91-year-old twin sisters Isabel and Amelia Cavallini. Once they formed a celebrated piano duo with a blossoming career in the United States. Just as the instrument is actually a little too big for their modest residence, the sisters’ personalities no longer seem to fit their now fragile bodies. In this final part of her trilogy on old age and art (preceded by Las cinéphilas and Le temps perdu), María Alvarez follows these elderly ladies as they shuffle along the path of their memories, which surround them in every corner of their house.
Director
An enormous Steinway & Sons piano dominates a cramped and untidy apartment in Buenos Aires, belonging to the 91-year-old twin sisters Isabel and Amelia Cavallini. Once they formed a celebrated piano duo with a blossoming career in the United States. Just as the instrument is actually a little too big for their modest residence, the sisters’ personalities no longer seem to fit their now fragile bodies. In this final part of her trilogy on old age and art (preceded by Las cinéphilas and Le temps perdu), María Alvarez follows these elderly ladies as they shuffle along the path of their memories, which surround them in every corner of their house.
Camera Operator
Buenos Aires, Argentina. For eighteen years, a group of people have been meeting in a bar to read the same work over and over again: the seven volumes of In Search of Lost Time, by the French writer Marcel Proust.
Producer
Buenos Aires, Argentina. For eighteen years, a group of people have been meeting in a bar to read the same work over and over again: the seven volumes of In Search of Lost Time, by the French writer Marcel Proust.
Director of Photography
Buenos Aires, Argentina. For eighteen years, a group of people have been meeting in a bar to read the same work over and over again: the seven volumes of In Search of Lost Time, by the French writer Marcel Proust.
Editor
Buenos Aires, Argentina. For eighteen years, a group of people have been meeting in a bar to read the same work over and over again: the seven volumes of In Search of Lost Time, by the French writer Marcel Proust.
Director
Buenos Aires, Argentina. For eighteen years, a group of people have been meeting in a bar to read the same work over and over again: the seven volumes of In Search of Lost Time, by the French writer Marcel Proust.
Writer
Buenos Aires, Argentina. For eighteen years, a group of people have been meeting in a bar to read the same work over and over again: the seven volumes of In Search of Lost Time, by the French writer Marcel Proust.
Producer
스페인, 우루과이, 아르헨티나에 사는 세 명의 은퇴 여성들의 삶에 관해 이야기한다. 그들이 매일같이 영화관에 가서 접하는 영화 속 이야기는 마치 물방울이 떨어지듯 그들 삶에 파문을 일으키고, 그들 기억에 흔적을 남긴다.
Writer
스페인, 우루과이, 아르헨티나에 사는 세 명의 은퇴 여성들의 삶에 관해 이야기한다. 그들이 매일같이 영화관에 가서 접하는 영화 속 이야기는 마치 물방울이 떨어지듯 그들 삶에 파문을 일으키고, 그들 기억에 흔적을 남긴다.
Editor
스페인, 우루과이, 아르헨티나에 사는 세 명의 은퇴 여성들의 삶에 관해 이야기한다. 그들이 매일같이 영화관에 가서 접하는 영화 속 이야기는 마치 물방울이 떨어지듯 그들 삶에 파문을 일으키고, 그들 기억에 흔적을 남긴다.
Director
스페인, 우루과이, 아르헨티나에 사는 세 명의 은퇴 여성들의 삶에 관해 이야기한다. 그들이 매일같이 영화관에 가서 접하는 영화 속 이야기는 마치 물방울이 떨어지듯 그들 삶에 파문을 일으키고, 그들 기억에 흔적을 남긴다.
