Krister Persson

출생 : 2000-02-19, Seattle, Washington, USA

약력

Krister Persson is a Swedish-American filmmaker from Seattle, Washington.

참여 작품

Escaping Modesto
Narrator
Dissecting George Lucas' early films, THX 1138 (1971), American Graffiti (1973), and Star Wars (1977), based on their autobiographic qualities, this short documentary investigates the advantages and disadvantages of reviewing a complicated cinematic work through the lens of an individual auteur. Does a filmmaker, particularly one whose films are drawn from personal experience, have the right to restrict access to their original works by substituting theatrical releases with director endorsed re-edits?
Escaping Modesto
Writer
Dissecting George Lucas' early films, THX 1138 (1971), American Graffiti (1973), and Star Wars (1977), based on their autobiographic qualities, this short documentary investigates the advantages and disadvantages of reviewing a complicated cinematic work through the lens of an individual auteur. Does a filmmaker, particularly one whose films are drawn from personal experience, have the right to restrict access to their original works by substituting theatrical releases with director endorsed re-edits?
Escaping Modesto
Editor
Dissecting George Lucas' early films, THX 1138 (1971), American Graffiti (1973), and Star Wars (1977), based on their autobiographic qualities, this short documentary investigates the advantages and disadvantages of reviewing a complicated cinematic work through the lens of an individual auteur. Does a filmmaker, particularly one whose films are drawn from personal experience, have the right to restrict access to their original works by substituting theatrical releases with director endorsed re-edits?
Escaping Modesto
Director
Dissecting George Lucas' early films, THX 1138 (1971), American Graffiti (1973), and Star Wars (1977), based on their autobiographic qualities, this short documentary investigates the advantages and disadvantages of reviewing a complicated cinematic work through the lens of an individual auteur. Does a filmmaker, particularly one whose films are drawn from personal experience, have the right to restrict access to their original works by substituting theatrical releases with director endorsed re-edits?
Welcome Home
Title Designer
When adolescent Elsabe is adopted by a well-to-do lawyer named Nancy, she struggles to feel welcome in her new home as her jealous step-brother Andrew attempts to corner Elsabe in her alienation.
Welcome Home
Script Supervisor
When adolescent Elsabe is adopted by a well-to-do lawyer named Nancy, she struggles to feel welcome in her new home as her jealous step-brother Andrew attempts to corner Elsabe in her alienation.
Welcome Home
First Assistant Director
When adolescent Elsabe is adopted by a well-to-do lawyer named Nancy, she struggles to feel welcome in her new home as her jealous step-brother Andrew attempts to corner Elsabe in her alienation.
Good Neighbors
Editor
In a horror twist on a classic fairytale, struggling art student Frankie is amazed when one morning she awakes to see that someone — or something — has completed her paintings for her.
Sea of Cranes
Writer
A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.
Sea of Cranes
Editor
A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.
Sea of Cranes
Director of Photography
A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.
Sea of Cranes
Director
A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.
Agora
Director of Photography
Melvin, a flora-enthusiast, has Agoraphobia. He finds solace only in his house plants, but when he receives an enticing flier about the flower of the month, he is forced to venture outside in hopes of snagging the ultimate plant.
Agora
Jeep Driver
Melvin, a flora-enthusiast, has Agoraphobia. He finds solace only in his house plants, but when he receives an enticing flier about the flower of the month, he is forced to venture outside in hopes of snagging the ultimate plant.
Agora
Editor
Melvin, a flora-enthusiast, has Agoraphobia. He finds solace only in his house plants, but when he receives an enticing flier about the flower of the month, he is forced to venture outside in hopes of snagging the ultimate plant.
Agora
Writer
Melvin, a flora-enthusiast, has Agoraphobia. He finds solace only in his house plants, but when he receives an enticing flier about the flower of the month, he is forced to venture outside in hopes of snagging the ultimate plant.
Agora
Director
Melvin, a flora-enthusiast, has Agoraphobia. He finds solace only in his house plants, but when he receives an enticing flier about the flower of the month, he is forced to venture outside in hopes of snagging the ultimate plant.
Coffee Run
Writer
Delayed by a long line for his morning coffee, Stu Dent has to make a hurried dash to get to class on time.
Coffee Run
Editor
Delayed by a long line for his morning coffee, Stu Dent has to make a hurried dash to get to class on time.
Coffee Run
Director
Delayed by a long line for his morning coffee, Stu Dent has to make a hurried dash to get to class on time.
Hearing is Believing
Screenplay
Four chapters in the career of sound effects mastermind Ben Burtt as a history and dissection of his work on Star Wars, Indiana Jones, E.T. The Extra Terrestrial, and WALL·E, revealing the secrets to achieving verisimilitude in film.
Hearing is Believing
Editor
Four chapters in the career of sound effects mastermind Ben Burtt as a history and dissection of his work on Star Wars, Indiana Jones, E.T. The Extra Terrestrial, and WALL·E, revealing the secrets to achieving verisimilitude in film.
Hearing is Believing
Director
Four chapters in the career of sound effects mastermind Ben Burtt as a history and dissection of his work on Star Wars, Indiana Jones, E.T. The Extra Terrestrial, and WALL·E, revealing the secrets to achieving verisimilitude in film.
Hearing is Believing
Narrator
Four chapters in the career of sound effects mastermind Ben Burtt as a history and dissection of his work on Star Wars, Indiana Jones, E.T. The Extra Terrestrial, and WALL·E, revealing the secrets to achieving verisimilitude in film.