Luis Berraquero

Teresa hopes that her social climbing ambitions will be fulfilled by her young son, Jacy. When he learns that his mother has started an affair, Jacy leaves home and embarks on a series of short-term liaisons with several women. He ends up by marrying a retarded but incredibly rich woman. His mother's hopes have finally been realised. Meanwhile, Teresa has herself found love and happiness, with a schoolteacher.

On an island buffeted by storms, the seamen are confined with no desire to abandon the life by the sea. They spend days and nights drunk in the tavern. The young woman who serves them has one desire: to go far away. This sets the stage for a musical in the open, and will frame a story of love and adventure, reminiscent of the director's film Aoom.

Julia, Carmen and Charo are three young and funny ladies, lovers of three married men. These combine their family life and the relationship with them. The three friends share the hardships of such a situation. Julia is pregnant, but Enrique, the future father, decides to shirk his responsibilities

We are in the town of Minglanillas. While the man arrives at the Moon, a group of friends observes in a bar on television the broadcast of the event. Pepe Fernández, one of the customers of the bar, says that with some money and a lot of dedication they can do the same. After discussing the issue, they decide to get down to work.

Alejandro Quesada (Fernando Fernan Gomez), an eminent doctor successful with women, drives his old friends Federico (Juanjo Menéndez) and Enrique (José Luis López Vázquez) to change their attitude towards life. The death of a common friend, Luis (Jesus Puente), reaffirmed in the attempt to enjoy their existence and seek the association of younger women than their wives.

Typical Spanish comedy of the seventies set in Benidorm, the famous coastal town of Alicante where numerous families come to spend the summer. It tells the travel arrangements and incidents that occur before arriving to the apartments as well as the return of working husbands to the city, once the families have settled on the beach, and their unsuccessful attempts to flirt while alone

An old priest, who has old ideas, is intended to exercise the apostolate in a neighborhood in the suburbs of Madrid. There the revolutionary climate and anti-religious character of the congregation thwarts all his attempts to attract them. The Archbishop admonishes him and asks to renew his methods, using the example of a young priest of a modern parish. The old priest tries to apply in his environment what he has seen in the parish model, setting off a chain of events.

Juan arrives in Madrid with the intention of succeeding as a singer. With the only company of his guitar, he goes from club to club asking for work.

In a small town, the administrator, confronted with the baker, forbids his children fto talk with those of the baker, and vice versa. One day, Paco and Pablo, the baker's children, listen to two builders who plan to kidnap Mary, the daughter of the administrator. Children decide to keep the secret and save the girl themselves. Meanwhile, a young teacher arrives to the village with his wife and kids get back to school. But the administrator's wife is furious because it is not her brother the one who gets the job and, along with her husband, will try to convince everyone to get rid of the teacher.

The rivalry between the old bullfighter Manolo Carmona and young Romerita it takes to seduce Rocio, the Carmona's daughter, and elope with her. After a year, Romerita leaves the girl and the daughter, who spend all kinds of calamities. Some time later, Romerita dies after a fuck in the bullring in Talavera de la Reina. At the same time, Currito de la Cruz, a young bullfighter sponsored by Carmona, who has always been in love with dew, waiting patiently for the girl forget the past.

Alfredo Di Stéfano plays himself, not as a soccer player but as a man, husband and father. This is a personal portrait of the mythical athlete, in the decline of his career. Film made to the greater glory of the football player Alfredo Di Stefano. In principle it is a portrait of manners of the life of the athlete at the time of professional retirement. Filmed by Luis Marquina, " The Battle of Sunday " mixes the form of a conventional film with the topics of biographical documentaries. However, the film was an important public success, given the importance of Di Stefano in Spanish football.