Jamaluddin Latif

참여 작품

Portrait of a Nightmare
Hujan, a deeply traumatized young woman, crosses paths with a mysterious street artist Bayu, both their destinies intertwined as they are haunted by the same nightmare that is connected to each of their pasts.
Tegar
Tegar, a person with a disability. Having only one leg and no arms, Tegar doesn't get enough love from his parents. Tegar's father left him and his mother was busy working. The only person who loves Tegar with all his heart is Grandpa. Once upon a time when Tegar was forced to live a life outside of himself, Mother had to work in the city and her nurse had to leave her.
아움!
Andi
압제적 정권의 엄혹한 탄압과 감시의 서슬이 퍼렇던 시절. 한 무리의 인도네시아 운동가들이 사회를 개혁하기 위해 은밀한 투쟁을 이어간다.
Christmas in the Jungle
Jamal
Moving from Latvia to exotic Indonesia has proven to be quite a challenge for Paula’s (10) family. Her Mother has a hard time adapting to the country. Her sister, Kate (14), is entering puberty, and her Father’s workaholic nature is causing tension in the family. Luckily, the local boy Akhim (12) offers a ray of hope by telling Paula about special Shaman living in the jungle who has a superpower to bring Christmas everywhere. That must be Santa Claus himself! Kids join on a joyful adventure to find Christmas in the Jungle!
No One Is Crazy in This Town
Mr. Underpants
A hotel owner orders Marwan and his team to remove the mentally ill people from the streets, and cast them into the forest so as not to disturb his guests. However, Marwan has another plan.
Seteru
Samsuri
Students of two different high schools, infamous for their rivalry in school brawls, are gathered together to be disciplined by Lt. Col. Rahmat.
Nyai: A Woman from Java
Set in Indonesia's Dutch colonial era, in 1927, a young and beautiful woman lives with her sick and aged Dutch husband. This woman loses her own name and is called Njai, which means a foreigner's concubine, and realizes that she is living in a kind of prison, while she deals with loads of visitors to her residence. Director Garin Nugroho shows in a distinctive way how much effort a woman, deserted both by the colonial country's law and the colonized country's traditional culture, puts in to retain her dignity.