Production Manager
While hunting for pitcher plants, a taciturn poacher encounters an unexpected object in the middle of the forest and finds himself listening to someone grieving about their hair.
Assistant Director
While hunting for pitcher plants, a taciturn poacher encounters an unexpected object in the middle of the forest and finds himself listening to someone grieving about their hair.
Producer
While hunting for pitcher plants, a taciturn poacher encounters an unexpected object in the middle of the forest and finds himself listening to someone grieving about their hair.
Cinematography
Marina Sarno, a former distressed domestic worker, overshadows her traumatic experiences abroad by volunteering as a case worker. She aids OFWs in need alongside working to sell clothes in the Taytay Tiangge. As she strives to help fellow workers, government injustices regarding OFW welfare serve both as her driving force and hurdle. The case of the late domestic worker Mary Jean Alberto then intertwines. Her death questions the cycle of normalized migration posed by the government in the country despite efforts of the likes of Marina.
Editor
Marina Sarno, a former distressed domestic worker, overshadows her traumatic experiences abroad by volunteering as a case worker. She aids OFWs in need alongside working to sell clothes in the Taytay Tiangge. As she strives to help fellow workers, government injustices regarding OFW welfare serve both as her driving force and hurdle. The case of the late domestic worker Mary Jean Alberto then intertwines. Her death questions the cycle of normalized migration posed by the government in the country despite efforts of the likes of Marina.
Director
Marina Sarno, a former distressed domestic worker, overshadows her traumatic experiences abroad by volunteering as a case worker. She aids OFWs in need alongside working to sell clothes in the Taytay Tiangge. As she strives to help fellow workers, government injustices regarding OFW welfare serve both as her driving force and hurdle. The case of the late domestic worker Mary Jean Alberto then intertwines. Her death questions the cycle of normalized migration posed by the government in the country despite efforts of the likes of Marina.
