Character Designer
In the middle of Praça da Sé, in São Paulo, Paloma - a dove like any other - swallows a chip and gains awareness. But what was supposed to be a blessing ends up revealing something terrible: she, like all doves, always ate scraps. Given this, Paloma goes after justice for the doves and, next to Pru, find out more about who she has become and her place among legs, rats and other inhabitants of the city.
Prop Designer
In the middle of Praça da Sé, in São Paulo, Paloma - a dove like any other - swallows a chip and gains awareness. But what was supposed to be a blessing ends up revealing something terrible: she, like all doves, always ate scraps. Given this, Paloma goes after justice for the doves and, next to Pru, find out more about who she has become and her place among legs, rats and other inhabitants of the city.
Production Design
In the middle of Praça da Sé, in São Paulo, Paloma - a dove like any other - swallows a chip and gains awareness. But what was supposed to be a blessing ends up revealing something terrible: she, like all doves, always ate scraps. Given this, Paloma goes after justice for the doves and, next to Pru, find out more about who she has become and her place among legs, rats and other inhabitants of the city.
Director
Do hairstyles have a history? Braids do. In the documentary directed by Gabriele Roza and Juliana Nascimento the aesthetics of nagô braids are presented to us from their historical formation, conveying new dimensions to the issue of ancestry and black identity. Narrated through interviews and archival materials, the film re-elaborates the act of braiding hair beyond the aesthetic attribute: it is resistance, affection, and roots
