Producer
현수교의 케이블과 선박의 닻줄이 연약한 도시 구조를 드러내듯, 영국 식민지 시대의 구조물은 홍콩 시위 이후의 상황을 비추어 낸다. 이들이 도시를 움직이게 하는 건축물이다. 홍콩 시민들의 불굴의 정신을 표현한 작품으로, 감정을 자극할 수밖에 없는 역설적 시도이기도 하다.
Producer
Simon Liu's eerie, entrancing portrait of contemporary Hong Kong tracks a series of strange disruptions to the city's urban infrastructure. Deceptively tranquil 16mm images of everyday life are accompanied by muffled music cues, ominous radio transmissions, and intimations of an impending hazardous event that may never arrive.
Producer
E-Ticket is a cinematic collage in the form of a flicker film. The frame rapidly swipes through my archive of 35mm still photographs; which have been obsessively tape spliced together, one frame at a time in evolving rhythmic patterns. Views shift between a high school trip in India to snap shots from my first year living alone; culminating in the documentation of a violent 2005 protest of a World Trade Organization summit in Hong Kong.
